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HITS LIST GOES TRICK OR TREATING
Don't run out of Reese's Peanut Butter Cups. (10/28a)
MEET THE AGENTS, BATCH #2
Collect 'em all. (10/25a)
THE DEAD ARE MUSICARES 2025 PERSONS OF THE YEAR
It'll be jammin'. (10/23a)
NEAR TRUTHS: LEAD GENERATORS
That's why they play the game. (10/22a)
NOISEMAKERS:
THE LIVE EDITION
Kids these days... (10/23a)
THE GRAMMY SHORT LIST
Who's already a lock?
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
ALL THE WAY LIVE
The players, the tours, the enormous beers.
THE B-SIDE
Kitty Cash (LVRN/Interscope)
4/28/20

WHAT IT IS: Brooklyn native Kitty Cash has made a name for herself as one of the most prolific culture curators. Following a career as a fashion publicist, Kitty Cash has quickly become a force to be reckoned with in the DJ space, having spun for cultural institutions such as MOMA PS1, Guggenheim Museum, Brooklyn Museum and the Whitney Museum. In addition to working with and opening for entertainers like Marina Abramovic, Kehinde Wiley, Swizz Beatz, Cardi B, Doja Cat, Janelle Monae, Jhene Aiko, Solange and 1975, the rising performer has released a string of projects including the Love the Free mixtape series. Blending elements of R&B, hip-hop, pop, dancehall and reggae, Kitty Cash is now focusing on producing, curating and collaborating with artists globally. Epitomizing a new breed of creators unbound by genre conventions, Kitty Cash is a musical renaissance woman.
LIVE: Setlists for the Webster, the Armory Show; recently featured in Rihanna’s Fenty Social Club on IG Live; Weedmaps’s 420 Virtual Concert; “Club House” presented by Beats by Dre and Serato
INTERNET: 23k SoundCloud followers; 86.5k+ Instagram followers
RADIO: NTS Live Radio Show “Viola After Dark”
PRESS: Forbes, Vogue, FADER, NYT, Paper, NPR, NYLON, HighSnobiety, more
BOOKING: WME
MANAGEMENT:
LVRN

Fredo Bang (Def Jam)
4/28/20

WHAT IT IS: With a deep drawl and a natural affinity for melody, Fredo Bang is the next rapper to rise out the Bayou. The 24-year-old Baton Rouge native is his city’s favored up-and-comer and recently dropped two projects in 2019, Big Ape and Pain Made Me Numb, gaining regional success with tracks like “Ooouh (Remix)” f/Kevin Gates, “Story to Tell” and “Gangsta Talk” f/NLE Choppa. His new 12-track album, Most Hated, features guest appearances by heavyweights like Lil Baby, YNW Melly and Tee Grizzley, and was executive-produced by Moneybagg Yo.
ALBUM: Most Hated
RELEASE DATE: 4/17
SINGLE: “Get Even” f/Lil Baby
LIVE: Support on postponed Moneybagg Yo Time Served Tour
INTERNET: 315m+ collective U.S. streams, 5m+ weekly streams, 55m+ U.S. streams in 2020 so far; 138m+ overall YouTube views; 100k+ Spotify followers, 867k+ monthly listeners
PRESS: Flaunt, FADER, XXL (“Known for his tales of life in the streets, the rapper…shows just how it goes down in his hometown”), HYPEBEAST (“Songs like ‘No Mo’ show his penchant for soul-searching narratives and music-as-medicine melodies”), No Jumper, Rap Radar
PUBLISHING:
Se Lavi Production

SAYGRACE (RCA)
4/28/20

WHAT IT IS: Writing lyrics as a message to the younger version of herself and other women about self-acceptance, Grace Sewel, aka SAYGRACE, is the embodiment of female empowerment. Her latest single, “Boys Ain’t Sh*t” f/Tate McRae and Audrey Mika, portrays just that—serving as an anthem for all women. Hailing from Brisbane, Australia, with U.K. roots, Grace grew up with the sounds of Smokey Robinson, Janis Joplin, Shirley Bassey and Amy Winehouse. The songstress, who made a big splash with her single, “You Don’t Own Me” f/G-Eazy in 2015, has a raw, throaty, soulful sound, whose emotional timbre belies her tender years. Set to make music that tells girls they don’t have to have it all figured out, her EP, The Defining Moments of SAYGRACE: Girlhood, F*ckboys & Situationships, is her manifesto.
ALBUM: The Defining Moments of SAYGRACE: Girlhood, F*ckboys & Situationships
RELEASE DATE: 2/7
SINGLE: “Boys Ain’t Sh*t” f/Tate McRae & Audrey Mika
LIVE: Showcases in NYC and L.A.
INTERNET: 357m+ YouTube views; 3.7m+ monthly Spotify listeners; 100k+ combined social-media followers
PRESS: NPR, OTW, FADER, OkayPlayer, Idolator, Earmilk, Hollywire, Consequence of Sound, more
BOOKING: Cameron Kaiser/CAA
PUBLISHING:
Gracie Gunn Publishing/Regime Music Societe/Sony/ATV/EMI Blackwood Music (BMI), Sony/ATV Tunes/Rykeyz Next Level Music (ASCAP), Tennessee Kid Music (ASCAP), administered by Kobalt, Nighttime Crowd Publishing/Sony/ATV Sonata (SESAC)
MANAGEMENT:
Jeffrey Evans & Scott Greer