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PRE-GRAMMY GALA GOES GAGA FOR GERSON
Jody will be the center of attention at Clive's shindig. (12/18a)
ON THE COVER:
BILLIE EILISH
A star upon the highest bough (12/19a)
NOISEMAKERS:
A HOLIDAY TREAT
Something for their stockings (12/18a)
SUPREME COURT SETS 1/10 HEARING ON TIKTOK BAN
How will SCOTUS rule? (12/19a)
THE HIP-HOP CONUNDRUM
Grammy being Grammy (12/19a)
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
THE B-SIDE
CALLING ALL AGENTS: KEITH NAISBITT (IAG)
10/25/24

Naisbitt is a veteran of the live-music industry in England, having worked for Miles Copeland’s Talent Bank Agency, Wasted Talent, the Triad Agency, ICM and The Agency Group. At APA/IAG, he has helped develop and re-establish the touring careers of 50 Cent, Mary J. Blige, Dream Theater and Kansas.

First concert you ever saw?

Penetration with Punishment of Luxury and Neon at Newcastle City Hall, December 18, 1978.

You’re made czar of the concert industry. What’s the first thing you’d change?

I would cap the charges ticket companies inflict on the public and the artist to 10%. We regularly see charges in the 30% range that disappear into corporate entities.