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HITS LIST GETS LIT UP
Whoa, this year's going too fast. (11/19a)
ON THE COVER: WICKED
They're not in Kansas anymore. (11/19a)
GRAMMY CHEW: RUMINATING ON THE BIG 4 NOMS
80% is a lot better than usual. (11/15a)
NEAR TRUTHS: REALIGNMENT AND RECOGNITION
Underscoring the year's biggest stories (11/19a)
NEAR TRUTHS: THE ELEPHANT IN THE ROOM
Nervous time in the music biz and beyond. (11/16a)
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
THE B-SIDE
CALLING ALL AGENTS: KEITH NAISBITT (IAG)
10/25/24

Naisbitt is a veteran of the live-music industry in England, having worked for Miles Copeland’s Talent Bank Agency, Wasted Talent, the Triad Agency, ICM and The Agency Group. At APA/IAG, he has helped develop and re-establish the touring careers of 50 Cent, Mary J. Blige, Dream Theater and Kansas.

First concert you ever saw?

Penetration with Punishment of Luxury and Neon at Newcastle City Hall, December 18, 1978.

You’re made czar of the concert industry. What’s the first thing you’d change?

I would cap the charges ticket companies inflict on the public and the artist to 10%. We regularly see charges in the 30% range that disappear into corporate entities.