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HITS LIST GOES TRICK OR TREATING
Don't run out of Reese's Peanut Butter Cups. (10/25a)
MEET THE AGENTS, BATCH #2
Collect 'em all. (10/25a)
THE DEAD ARE MUSICARES 2025 PERSONS OF THE YEAR
It'll be jammin'. (10/23a)
NEAR TRUTHS: LEAD GENERATORS
That's why they play the game. (10/22a)
NOISEMAKERS:
THE LIVE EDITION
Kids these days... (10/23a)
THE GRAMMY SHORT LIST
Who's already a lock?
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
ALL THE WAY LIVE
The players, the tours, the enormous beers.
THE B-SIDE
CALLING ALL AGENTS: KEITH NAISBITT (IAG)
10/25/24

Naisbitt is a veteran of the live-music industry in England, having worked for Miles Copeland’s Talent Bank Agency, Wasted Talent, the Triad Agency, ICM and The Agency Group. At APA/IAG, he has helped develop and re-establish the touring careers of 50 Cent, Mary J. Blige, Dream Theater and Kansas.

First concert you ever saw?

Penetration with Punishment of Luxury and Neon at Newcastle City Hall, December 18, 1978.

You’re made czar of the concert industry. What’s the first thing you’d change?

I would cap the charges ticket companies inflict on the public and the artist to 10%. We regularly see charges in the 30% range that disappear into corporate entities.