He has a few thoughts. (6/23a)
See you in September. (6/22a)
Wit and wisdom from a renaissance man (6/22a)
Out and proud (6/22a)
An inspiring success story (6/22a)
The musical tapestry we know as R&B.
Predicting the next big catalog deal.
Once we all get vaccinated, how long before we can party?
How is globalization bringing far-flung territories into the musical mainstream?

 First Name

 Last Name


Captcha: (type the characters above)


By Karen Glauber

Mercury is in Retrograde, and my head hurts. My internal alarm clock has settled on 3am as my new wake-up time, no matter when I go to sleep.

After 15 months of isolation, it was a little scary to stand outside the KROQ/DTS Sound Space while awaiting the results of a COVID test, so that Ted and I could join Mike Kaplan, Miles Anzaldo and Megan Holiday for an AJR session. Had it been that long since I’d seen the crew? The last time I was in the same room as AJR, we were together at the Barclays Center in Brooklyn for The Lumineers’ show on 2/13/20, one day after “Bang!” had been released into the world. “Bang!” was followed by “Bummerland,” which peaked at #17, and then “Way Less Sad,” which has been parked at #3 for eons. During the pandemic, AJR has ascended as a core band for the format.

In the Sound Space, the staffers in attendance (plus one contest winner and guest) were treated to five songs, and, even without a bigger audience, it felt weirdly normal again. Miles’ choice of an Arcade Fire T-shirt that day was definitely appreciated! If all goes well, I’ll see AJR again in Columbus with my CD92.9 friends on 8/28 for the WonderBus Festival. I haven’t been to a restaurant in 15 months. One step at a time…

One of the best albums of 2021 was released today—Wolf Alice’s Blue Weekend on RCA. Check out the song “Smile,” especially. Speaking of RCA, Dennis Blair is already Top 20 with Bleachers’ “Stop Making this Hurt,” which feels like a contender for Song of the Summer. If I were programming an Alt station, would I be playing Olivia Rodrigo’s “Brutal?” Of course I would. I’d also be super-psyched about adding Tai Verdes’ “A-O-K,” which Nick Petropoulos just launched, along with KennyHoopla’s new one, “Hollywood Sucks.”

Weezer’s “All My Favorite Songs” is surging with the addition of AJR on the track, as Capone has “high hopes” for his ultimate Hot Alt Summer ahead.

Congrats to Dave Lombardi and the AWAL gang for girl in red’s “Serotonin” vaulting to #7. He’ll have a new Cold War Kids single next Friday, which inspired me to go back and listen to my favorite CWK song, “We Used to Vacation,” on repeat this morning.

Rob and Dave at Warners just hit the Top 10 with Mike Shinoda’s “Happy Endings,” while taking Royal Blood’s “Typhoons” Top 20. On the Triple A side, they’re building Belle Mt.’s “Famous Son,” which is a perfect song for your Father’s Day playlists.

Congrats to Christine Chiappetta at Epic for nearing Top 10 with Modest Mouse’s “We Are Between” after only a few weeks at her new gig!

Charting this week is Cannons’ “Bad Dream,” bolstered by new adds at WKQX and WLUM, not to mention continued support from the band’s earliest cheerleaders at WEQX, KKDO (where it all began) and Alt Nation.

Out today is “How Not to Drown,” a new track from CHVRCHES featuring Robert Smith of The Cure! What a phenomenal pairing. In the meantime, Michael Starr is Top 25 with “He Said She Said,” which remains the focus single.

By the time you read this, Marisa DiFrisco will be Top 20 with The Maine’s “Sticky,” which, if I’m reading the tea leaves correctly, has all the markings of a SMASH.

Amanda and Drew have a great summer song with Claire Rosinkranz’s “Frankenstein,” plus they’ll have new Bastille out momentarily.

Dirty Hit will be releasing a new beabadoobee EP this month, and I’d be shocked if the next single (which you will love) isn’t your summer anthem!

The Neighbourhood’s “Stargazing” is a definitive Alt hit—Lisa and Darice will deliver this one, just as they have every other song they’ve worked together (congrats to them for Powfu’s iHeartMusic Awards win for Best New Rock/Alternative Rock Artist!).

Congrats to David Jacobs on his 10-year anniversary of doing radio promotion. Now, play his Beach Bunny and Alice Merton records!


By Karen Glauber

I had an unexpected and definitely unwelcome medical scare last week (because COVID is the gift that keeps giving), during which I thought about what the next few months should look like, especially since our post-vaccination “new normal” has most of us feeling, as the song goes, “way less sad.” Format-wise, this is the time to re-embrace the core of who we really are, so welcome to Hot Alt Summer!

I credit the format’s enthusiasm for the new Modest Mouse single “We Are Between” as a catalyst for what I hope will be radio’s soundtrack for the summer. Epic’s Christine Chiappetta, who is an expert at delivering Alt smashes, had a 99.99% approval rating on this single during set-up (every promotion person’s dream), and Monday’s add-date will be an unequivocal blow-out. It’s interesting to see how well Modest Mouse does in the streaming world, as the next generation(s) of Alt listeners have discovered their music.

Speaking of streaming, The Neighbourhood has expanded its audience exponentially since the band’s last release. I always use Weezer and blink-182 as the key examples of bands that have been able exponentially grow their audiences with the arrival of every new generation of Alt fans. Without any touring opportunities, The Neighbourhood has done just that during lockdown. Look for “Stargazing” to emerge as one of the biggest songs of the next few months. Also on Columbia’s Lisa Sonkin and Darice Lee’s summer playlist is the genius new Cannons’ single “Bad Dream,” the follow-up to their #1 Alt song “Fire for You.” The band will be on tour with lovelytheband and Sir Sly in the not-too-far future. Meanwhile, Lisa and Darice are nearing Top 5 with The Kid LAROI as well!

girl in red and CHVRCHES will be permanent fixtures in HOT ALT SUMMER. “Serotonin” is already one of 2021’s fastest tracks to hit the Top 10, which is especially remarkable for a format that rarely reaches a consensus when it comes to newer artists. AWAL’s Dave Lombardi has always worked some of the best (truly) Alt songs, and he’ll have an abundance of great music this summer, including new Dayglow.

Glassnote’s Michael Starr landed Aurora as this week’s Audacy “Pick of the Week,” as streaming and Shazam continue to explode on “Runaway.” CHVRCHES “He Said She Said” is off to a rousing start, already Top 25 after two weeks! Exciting

Isn’t Beach Bunny’s “Cloud 9” the epitome of Hot Alt Summer? David Jacobs is on pace to break this one wide open—musically and metrics-wise, this song is a perfect summer smash! Also, Alice Merton’s “Vertigo” is on course to be as big as “No Roots,” adding another hit to David’s summer portfolio.

Our beloved MOD SUN is making his TV debut on 5/12, when he and Avril Lavigne appear on Kimmel to perform “Flames.” The Big Noise team gave MOD a #17 song for his first shot at Alt, and, having heard the songs that are about to follow, I know he’ll soon be a permanent fixture at the format.

KennyHoopla is definitely one of the faces of Hot Alt Summer, with “Estella” entrenched in the Top 10 and a new song, “Hollywood Sucks,” (featuring the indefatigable Travis Barker) just released.

The song that I decree WILL be an Alt hit this summer is beabadoobee’s “The Last Day on Earth.” She is the face of Alt music, and what an expressive, glorious face it is.

AJR’s “Way Less Sad” is the band’s fifth Top 3 Alt single and their seventh consecutive charted Alt song. Congrats to the band on being nominated for three iHeart Awards!

 What songs do you envision being hits for you this summer? I know that X-96’s Todd Nukem is quite keen on Joywave’s “Every Window Is a Mirror,” which Buddy Deal will be launching on 5/18. Other programmers are expecting The Maine’s “Sticky” to be a huge record for them—a rotation bump (or 50) would be a perfect wedding gift to give to Virgin’s Marisa DiFrisco!

 SONG TO HEAR: Belle Mt.’s “Famous Son” (ask Rob Goldklang for a link!)


By Karen Glauber

I just read what Lauren Mayberry wrote about the new CHVRCHES single, which might resonate with you as well: “‘He Said She Said’ is my way of reckoning with things I’ve accepted that I know I shouldn’t have. Things I pretended weren’t damaging to me. It was the first song we wrote when we started back up, and the opening line—‘He said, “You bore me to death”’—was the first lyric that came out. All the verse lines are tongue-in-cheek or paraphrased versions of things that have actually been said to me by men in my life. Being a woman is fucking exhausting, and it felt better to scream it into a pop song than scream it into the void. After the past year, I think we can all relate to feeling like we’re losing our minds.” Thank you, Lauren. Glassnote’s Michael Starr is going for adds this week on CHVRCHES, and this single is absolutely perfect. Early adds included Alt Nation, XMU, WNYL, WSUN, X-96 and KROX.

This headline appeared in The New York Times on Wednesday: “There’s a Name for the Blah You’re Feeling: It’s Called Languishing.” The diagnosis means we’re all occupying the middle ground between depression and what the article refers to as “flourishing.” For me, it’s lack of control in all aspects of my life that has me spending 23 hours a day in my room when my kid is with his dad (this is also the only room in the house with decent Internet). For my label peers who, pre-pandemic, longed for the opportunity to work records WITHOUT the added layer of radio shows, the reality has been more challenging than you ever envisioned.

Unlike at other formats, there’s no consensus that a Top 10 song should be a hit for every station in the format. In markets with two Alt stations, the overlap of songs can be less than 50%. Only a handful of records each year can be considered “real” hits at Alt, meaning they become library songs and/or cross to other formats.

Any song that crosses from Alt to Pop should be viewed as a victory for our format; any Pop song that can share an audience with Alt should be viewed as a blessing, despite the vocal opinions of those who prefer to program in a vacuum. “To thine own self be true”—gossipers need to cease the chatter about those in charge of programming the format; let them program as they see fit, without armchair quarterbacking from those on the sidelines. Does your job description include programming? No? Then shut the fuck up.

Not every song has to go to #1 to make an impact; my strategy for breaking artists is to keep rolling singles until something hits. Thankfully, with The Lumineers and AJR, every single has had chart success; with Arcade Fire, we were three records in before “Ready to Start” went Top 10. I still think about the myriad of Interpol and Spoon singles we’ve worked!

Great art always finds its audience, as evidenced by the explosion of Aurora’s 2015 single “Runaway,” which is currently #39 on the Spotify Top 200 in the U.S. and #6 on the Global Spotify Viral chart, propelled by the song’s phenomenal TikTok success and acknowledgement of Aurora’s influence by everyone from Billie Eilish to Lizzo. If there were ever a song worthy of your immediate attention, “Runaway” is it. It’s already #5 U.S. Shazam—can you imagine how well it will do in your market with your airplay?

girl in red’s “Serotonin” has been added to iHeart’s “Custom” very quickly after its release. Lisa Worden is unique in her talent for earmarking the records that matter, especially when it comes to female artists. Her weekly show, She Is the Voice, on Alt 98.7 is a coveted launchpad for female artists.

Look for Beach Bunny’s “Cloud 9” and The Maine’s “Sticky” to be two of the biggest songs of the summer. I know this to be true.



By Karen Glauber

Even without pretending I’m essential (I know better), I was able to procure my first Pfizer shot last Saturday, which left me sore and feverish, but hopeful that my long-hauler days will soon be behind me. As much as I’d like to hug all (most) of you, or book travel to a festival, I’m still skittish about being out in the world. The media is predicting a post-pandemic phase comparable to the “Roaring Twenties”—my idea of a party will be going into the new Amoeba Records without panicking about getting reinfected.

Our collective behavior after this pandemic can be explained by basic physics: Think about the path of a pendulum—a swing to the farthest left results in a similar swing to the right. Eventually, the momentum decreases, aided by gravity, and the pendulum will find its way back to the middle. As a 35-year student/participant in the world of Alternative radio, I can say the same about patterns in programming, although the impact of the pandemic has made it infinitely more challenging to break artists. It’s a non-negotiable fact that stations with the strongest ratings all have long-established morning shows to anchor the rest of their programming. The absence of in-person artist engagement has been a massive disservice to both radio and the artist! Ted and I lament daily that MOD SUN’s “Flames” would be in the Top 10 by now if PDs and the radio audience had the opportunity to see him in concert or hear him playing acoustic on-air. It’s no wonder that stations are clamoring, possibly prematurely, to book Xmas or even fall shows, just as artists are figuring out when it will be safe to go back on tour.

As artists book paid tours, promoters will likely prohibit them from doing radio shows unless their show is already sold-out—this is a challenge that both the labels being asked to provide bands and PDs should be anticipating. Maybe sponsored studio-space performances will be a solution. After 13 months at home, these are problems we should all be grateful to tackle.

With the recent release of singles by some of the format’s biggest artists, slots for new artists are likely to diminish for the next few weeks. Artists like MOD SUN, The Kid LAROI, KennyHoopla, Black Pumas, Clairo, girl in red, Foushee and carolesdaughter have clearly broken through, but I expect the format will be comfortable playing the artists they know work for them right now, along with Glass Animals, who can now be considered a core band for the format (yay!) Think about the songs YOU want to hear right now—upbeat, optimistic songs have the best shot at radio. You know, the ones that are “way less sad.” Beach Bunny’s “Cloud 9,” Illenium’s “First Time” and the upcoming CHVRCHES single should be automatics, along with Area21’s “La La La,” which Buddy Deal launched today. Listen to Japanese Breakfast’s “Be Sweet,” Cannons’ single “Bad Dreams” and beabadoobee’s “Last Day on Earth” on your AirPods right now—that’s the sound of spring that we’ve been craving!

The record I’m listening to on repeat is Arlo ParksCollapsed in Sunbeams on PIAS. Know this artist—she’s been nominated for three BRIT Awards, and her first Alt single, “Hurt,” is nearing 20 million streams and has been a big hit for the Non-Comm station (with the huge ratings) in your market… Pay super-close attention to Marisa DiFrisco’s “Sticky,” the latest single from Photo Finish/Virgin act The Maine. The band already has a significant touring business (remember concerts?), and this is the song that will break them.

Happy Rex Manning Day to those who celebrate! What an insane after-life Empire Records has sustained…

beabadoobee photographed by Callum Harrison

Post Toasted Index
posted 6/8/21
posted 5/10/21
posted 4/26/21
posted 4/12/21
posted 2/27/21
posted 11/13/20
posted 10/12/20