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IT’S BEGINNING TO LOOK A LOT LIKE HITS LIST
With a star on top (12/9a)
MEDIABASE ’22:
THE BIG RED #1
Red and Gray pair nicely. (12/9a)
SONG REVENUE:
’TIS THE SEASON
It's the most wonderful time of the year. (12/9a)
SWIFT TO DIRECT FEATURE FILM
What can't she do? (12/9a)
GRAMMY NOMS:
THE LIST
For your consideration (12/6a)
GRAMMY HANDICAPPING
Who's likely to win in the major categories? We have no idea.
THE NEXT BIG PLAYER
in the catalog game is...
TRUMP CORP II
Totally less fraudulent than Trump Corp.
IS IT CHRISTMAS YET?
Pub Crawling
NASHVILLE PUBLISHERS: COLLECT 'EM ALL (SONY/ATV)
7/9/18

Troy Tomlinson

President/CEO, Sony/ATV Nashville

Highlight Reel

Recent signings include Kelsea Ballerini, Luke Laird, Charlie Worsham and The Sisterhood.

 Creative hirings include Dane Schmidt, Katie Kerkhover and Stephen Denninger.

Awards: Sony/ATV Nashville celebrated an unprecedented 16th consecutive year as BMI’s Country Publisher of the Year.

How are the considerations surrounding Nashville pub deals changing, if at all, given the current economics of the biz?
I think there’s been a shift in how songwriters are evaluating the sale of their publishing assets. Once private equity money began flowing down the streets of Music Row and corporations got caught up in the flood, the initial reaction by some advisors to songwriters was to simply go with the top bid and trust that things would work out. More recently, I feel like there is a greater emphasis being placed on who the right creative partner is, even if that isn’t always the top bidder. Of course, in order to secure the rights of successful songwriters, everyone still has to be competitive financially. But I think now we are beginning to see a renewed interest in the value of a great creative partner and team.