When Taylor Swift surprise-released folklore on 7/24 amid the pandemic, she probably wasn’t expecting the album to become an occasion for bonding between fathers (fans of Bon Iver, The National and Jack Antonoff—who produced Lana Del Rey’s Norman Fucking Rockwell) and their daughters (the Swiftys), who are sheltering at home together.
Messages from dads delightedly describing the experience of sharing the Taylor record with their daughters are all over social media, HITS President and Alternative-music luminary Karen Glauber tells us. Mark it up as yet another surreal occurrence in a year unlike any we've experienced—but in this case it's a happy one for a change.
NEAR TRUTHS: REALIGNMENT AND RECOGNITION
Underscoring the year's biggest stories (11/19a)
NEAR TRUTHS: THE ELEPHANT IN THE ROOM
Nervous time in the music biz and beyond. (11/16a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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