NEAR TRUTHS: REALIGNMENT AND RECOGNITION
Underscoring the year's biggest stories (11/19a)
NEAR TRUTHS: THE ELEPHANT IN THE ROOM
Nervous time in the music biz and beyond. (11/16a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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WHAT IT IS: Describing himself as “Death Cab for Country,” Southern Indiana-born, Nashville-based Stephen Wilson Jr. draws upon indie rock, grunge and country to create a distinct sound influenced by artists as diverse as The National, Willie Nelson and Nirvana. His 22-song debut double album, Father’s Søn, arrived via Big Loud in September to critical acclaim.
ALBUM: Father’s Søn
RELEASE DATE: 9/25/23
SINGLE: “Year to Be Young 1994”
LIVE: Made his Grand Ole Opry, Stagecoach, Ryman and CMA Fest debuts; shared the stage with The Lone Bellow, Drake White, Larry Fleet, Charley Crockett, 49 Winchester, and Joss Stone, Midland and Brothers Osborne
INTERNET: DSP editorial support on Spotify’s New Music Friday, Next From Nashville, Indigo, Apple Music’s Country Roads, Pandora’s This Year in Americana and Amazon’s Brand New Music, Brushland, more
RADIO: Impacted AAA radio on 10/16
PRESS: Rolling Stone (“one of the most interesting artists to watch this year, a true original”), Country Music Pride, American Songwriter, Wide Open Country, The Amp, Whiskey Riff, Consequence of Sound, more
BOOKING: Brett Saliba & Lance Roberts/UTA
PUBLISHING: BMG
MANAGEMENT: Alicia Jones/ALJ MGMT & Jordy Dettmer/Range Media Partners