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MAYBE, JUST MAYBE, PART 9: WHAT MADE CHARLIE GREAT?
GOAT? We sing of a promo giant (in a major key). (5/22a)
DYANA WILLIAMS, EBONY MOONBEAMS AND THE BIRTH OF BLACK MUSIC MONTH
The Mother of Black Music Month tells it like it was. (5/22a)
REASONS TO LOVE
THE "RAIN"
Why the new Gaga/Ari jam gives us the feels. (5/22a)
MEDIA: THE NEXT-GEN GLOBAL DISRUPTORS
ByteDance and other potential world dominators. (5/22a)
VIDEO SUPPLY & DEMAND IN THE
COVID-19 ERA
How to fill the pipeline when everyone's isolated. (5/22a)
MEMORIAL DAY WEEKEND
We're having a BBQ in the hallway.
BLACK MUSIC MONTH
Celebrating the music that fuels the biz.
INSTACART
Dammit, we said DILL pickles!.
TRUMP SAID WHAT, NOW?
Just wondering if you still give a fuck.
THE B-SIDE
Ryan Hurd (RCA Nashville)
5/10/17

WHAT IT IS: Hurd is following a unique strategy of releasing music prior to radio or downloads. “We Do Us”—the first song released on Spotify—received 2m+ streams in just three weeks, and a subsequent release, “City Girl,” has already crossed the 10m mark. He’s joined an elite group of artists from all genres to be featured in Vevo’s dscvr program. He was also included in Rolling Stone Country’s “Artists You Need to Know” list, and CMT named him one of its Listen Up Artists of 2016. As a writer, he’s penned songs that have been recorded by Blake Shelton, Dierks Bentley, Jake Owen, Maren Morris, Tim McGraw and Florida Georgia Line, including a #1 single and the current Lady Antebellum single.
SINGLE: “Love in a Bar”
LIVE: Starting the FGL Smooth Tour on 6/15; recent stretches with Thomas Rhett, Chase Rice and Maren Morris
INTERNET: 30m+ streams with just four tracks in less than six months
RADIO: On radio tour now; single ships 5/15 and impacts 6/12
PRESS: Rolling Stone Country, Pandora, Huff Post, Taste of Country, Sounds Like Nashville, Whiskey Riff, No Limits Nashville, Rated Red, more
BOOKING: Joey Lee/WME
PUBLISHING: UMPG
MANAGEMENT: George Couri/Triple 8 Mgmt.