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FLIPOVER FRIDAY: NEW ARRIVALS AT iTUNES AND APPLE MUSIC

No surprise: Taylor Swift has the top-selling album at iTunes this flipover Friday. Wanna surprise? She has also had the #2 album.

The 16-track “explicit” version of Folklore (Republic) sits at #1, immediately followed by the 16-track “clean lyrics” edition. (Her previous album, Lover, returns to the Top 10 at #6.) At Apple Music, explicit Folklore is#2 and the clean one comes in at #10. “Cardigan,” the album’s first single sits at #2 at iTunes songs with "the one" at #4 and her Bon Iver collaboration, "exile," at #6.

Beyond Taylor, the week’s most anticipated new release, Logic’s No Pressure (Def Jam) pumps in at #3 at Tunes and #6 at Apple Music. Rookies rounding out the Top 10 are

Neck Deep’s All Distortions are Intentional (Hopeless) at #7, Lori McKenna’s The Balladeer (CN/Thirty Tigers) at #8; I Can Feel You Forgetting Me by Neon Trees (Thrill Forever) at #9 and The Naked and the Famous with Recover (Somewhat Damaged/AWAL) at #10.

The Kid LAROI’s F*ck Love (Columbia), #22 at iTunes, is #7 at Apple Music.

Blake Shelton f/Gwen Stefani’s “Happy Anywhere” (Ten Point/Warner) sits atop the iTunes songs chart with J. Cole’s “The Climb Back” (Dreamville/Roc Nation), paired with a B-side, “Lion King on Ice,” at #3.

Maroon 5’s “Nobody’s Love” (222/Interscope) nabs #5 and Chris Cornell’s cover of GNR’s “Patience” (UMe) makes its way to #8 after a Monday release.

 

HITS LIST IN
EXECUTIVE ORDER
This top 10 is a stimulating package. (4/9a)
FEARLESS,
THEN & NOW
Child is mother to the woman. (4/9a)
THE BOWL WILL
HAVE A SEASON
A hopeful sign of an eventual return to normalcy (4/9a)
STREAMING SONGS:
A SATANIC #1
Provocateur hits another one out of the park. (4/9a)
REVENUE CHART:
ROD’S STERLING WEEK
A more than tidy sum for the unpretentious hitmaker (4/9a)
RHYTHM, BLUES AND THE FUTURE
The musical tapestry we know as R&B.
WHO'S NEXT?
Predicting the next big catalog deal.
JUST THE VAX, MA'AM
Once we all get vaccinated, how long before we can party?
WORLDWIDE GROOVE
How is globalization bringing far-flung territories into the musical mainstream?
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