CHART STORY: HOW
SWEET IT IS TO BE #1

Republic star Ariana Grande has crossed the finish line victoriously, marking her biggest chart debut yet. Sweetener—her fourth studio album—goes #1 on the Top 50 Chart this time around, moving 232k.

The Monte Lipman-led label actually has four of the current Top 5 albums. YMCMB/Republic’s Drake and Nicki Minaj, along with Republic’s Post Malone, are #3, #4 and #5 with 92k, 90k and 56k, respectively.

Unsurprisingly, the previous chart-topper, Travis Scott’s Astroworld (Cactus Jack/Grand Hustle/Epic), is #2. That one tacks on approximately 111k to its total. And in the first full week following her death, the legendary Aretha Franklin moves up two slots to #6 with 30 Greatest Hits (Rhino/Atlantic).

The second-biggest bow belongs to Warner Bros. Nashville’s Cole Swindell, whose All of It appears at #7 with 49k. As for other key debuts, Young Thug & Young Stoner Life RecordsSlime Language (Young Stoner Life Records/Atlantic) enters at #8 with 41k. There’s also Death Cab For Cutie’s Thank You For Today (Atlantic) at #14 and—just outside the Top 15—Ninja Sex Party’s Cool Patrol (Ninja Sex Party) at #17. And for details on the HITS office band, Old Stoner Party, check our Friendster.

Taylor Swift’s reputation (Big Machine) climbs back into the Top 20 as her record-breaking Reputation Tour—the highest-grossing U.S. tour by a female artist—moves through its second half. Following MTV’s VMAs, Camila Cabello’s Camila (SYCO/Epic) re-enters at #38.

When it comes to overall marketshare, UMG is #1 with 57%, WMG follows with 27% and SME is #3 with 13%, while the indies claim 3%.

Streeting this week are projects from Bighit/Columbia’s BTS, BMG’s Alice in Chains, VP/Dimelo Vi/Sony Latin’s Ozuna, Matador’s Interpol and Republic’s Liam Payne.

A GENERATIONAL HITS LIST
They got a name for the winners in the world. (10/5a)
A TASTE OF RAINMAKERS 2024: MONTE AND AVERY LIPMAN
Won't be long now. (10/4a)
THE BOSS: KAMALA WAS BORN TO RUN
A not entirely unexpected endorsement (10/3a)
GRAMMY CHEW: THE FUTURE OF GRAMMY IS (MOSTLY) FEMALE
There's no glass ceiling in pop. (10/4a)
ERLICH TO EXIT SPOTIFY FOR TBA VENTURE
One of the good guys is changing lanes. (10/2a)
THE GRAMMY SHORT LIST
Who's already a lock?
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
ALL THE WAY LIVE
The players, the tours, the enormous beers.
 Email

 First Name

 Last Name

 Company

 Country