MUSIC'S MOST BEWILDERING NIGHT
Gauchos got what they'd long deserved, 20 years too late. (12/30a)
TOP 50: A LITTLE SZA, A WHOLE LOTTA CHRISTMAS
We won't have to hear "The Little Drummer Boy" again for 10 months. (12/27a)
PHOTO GALLERY: PICS OF THE WEEK OF THE YEAR (PART TWO)
More weasel photo ops (12/30a)
TOP 50: A LITTLE SZA, A WHOLE LOTTA CHRISTMAS
The final album chart of the year (12/27a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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British PRO PRS for Music has announced an admin rate hike for royalty collections, igniting fury amongst the Featured Artists Coalition and the Music Managers Forum, who accuse the PRO of penalizing songwriters for its own business blunders.
From October’s distribution onward, fees charged on international collections will double for some of the biggest music markets, while Sweden and New Zealand will rise to 8% from 3%. For royalties collected by U.S. societies, the new rates are 2% (from 1%), and for societies where PRS collects more than £10m annually, the rates will be 4%. For all other markets, the fees are 8%. Admin rates on royalties earned from TV and radio have risen by 0.5%, while public performance rates are up 3%.