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TO THE MAX (UPDATE)
Warner U.K. chief thinking globally (3/27a)
FISHER KING
ACM boss talks Nashville (3/27a)
SONG REVENUE CHART: CASH MONEY FROM THE CELESTIAL JUKEBOX
Can you say "cha-ching?" (3/24a)
STREAMING SONGS: UNIVERSALLY DOMINANT
75% marketshare ... that's good, right? (3/24a)
SPOTIFY DEALS
If they don't come soon, what happens to the IPO?
LORDE'S NEXT LEVEL
How Melodrama took shape.
LABEL BIGWIGS SPILL THE BEANS
We go deep with a couple of top execs.
THE STRINGER ASCENDENCY
This adventure coming soon to a trade website near you.
THE B-SIDE
Julia Michaels (Republic)
3/14/17

WHAT IT IS: There are artists who have undeniable star power, vocal prowess and magnetism, and there are songwriters who have the uncanny ability to write hit songs. Julia Michaels is the rare talent where the two collide. When she sings her songs, there’s tangible meaning that fills the song, the studio and the stage. You canfeel a Julia Michaels song. With a laundry list of hit songwriting credits, and a smash debut single that continues to climb the charts, it’s only the beginning for the young songstress.
SINGLE: “Issues”
INTERNET: Top 10 on Spotify’s Global & U.S. charts; Top 10 Shazam Top 200; more than 95m streams of single; since “Issues” release on 1/13, socials have increased by +1,378.41% at Facebook, +763.76% at Instagram, +1,422.58% at Twitter, +1,228.57% at YouTube
RADIO: #15 Top 40, #26 Hot AC, #47 Rhythm
PRESS: Entertainment Weekly (“…a throbbing, finger-snapping track about owning your insecurities”; “Most Anticipated Albums” feature; single also featured on EW’s “Must List”), Forbes (“30 under 30” feature), People (“One of Top 40’s best-kept secrets”; “People’s Picks” feature)
BOOKING: Brian Manning/CAA
PUBLISHING: Warner/Chappell
MANAGEMENT: Beka Tischker