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NEW RELEASES: A FRESH CHART BATTLE?
So many factors in play. (9/24a)
RIAA: SUBS POWERED REVENUE IN H1 2018
Streaming revenue is 75% of the biz. (9/21a)
CHART STORY:
FEELIN' PRETTY
Shedding tears of joy. (9/21a)
SONG REVENUE CHART: THE BUCK STOPS HERE
Yeezy and Pump run to daylight. (9/21a)
UMG PAVES ELTON'S YELLOW BRICK ROAD WITH GOLD
This song's for Uni. (9/21a)
RAINMAKERS
The ones making history now.
WHO'S NEXT?
Who will be the next big pub and label players?
THOUGHTS ON LUNCH?
Like, will it ever get here?
THE KIDS
They're leaning on the button.
Pub Crawling
NASHVILLE PUBLISHERS: COLLECT 'EM ALL (SONY/ATV)
7/9/18

Troy Tomlinson

President/CEO, Sony/ATV Nashville

Highlight Reel

Recent signings include Kelsea Ballerini, Luke Laird, Charlie Worsham and The Sisterhood.

 Creative hirings include Dane Schmidt, Katie Kerkhover and Stephen Denninger.

Awards: Sony/ATV Nashville celebrated an unprecedented 16th consecutive year as BMI’s Country Publisher of the Year.

How are the considerations surrounding Nashville pub deals changing, if at all, given the current economics of the biz?
I think there’s been a shift in how songwriters are evaluating the sale of their publishing assets. Once private equity money began flowing down the streets of Music Row and corporations got caught up in the flood, the initial reaction by some advisors to songwriters was to simply go with the top bid and trust that things would work out. More recently, I feel like there is a greater emphasis being placed on who the right creative partner is, even if that isn’t always the top bidder. Of course, in order to secure the rights of successful songwriters, everyone still has to be competitive financially. But I think now we are beginning to see a renewed interest in the value of a great creative partner and team.