U.K. MIDWEEKS: 3-WAY TUSSLE FOR #1

Steps, Madonna and Aitch are in a three-way battle for the U.K.’s Official Albums #1. Over on singles, LF System looks set for another week on top.

At the U.K. chart week's halfway point, Steps’ greatest hits set, Platinum Collection (Sony Music CG), is #1, with Madonna’s Finally Enough Love: 50 Number Ones (Rhino) a close second. The debut from Aitch, Close to Home (Capitol), is #3 but winning on streams, outperforming Steps by nearly 7:1.

Viva Las Vengeance (WEA) by Panic! at The Disco eyes a #4 entry, while OasisBe Here Now (Big Brother Recordings) returns to the Top 5, at #5, 25 years after its release thanks to a collection of silver anniversary formats.

Demi Lovato’s HOLY FVCK (Island) is new at #6. Hot Chip is on track to return to the Top 10 for the first time in 14 years, with Freakout/Release (Domino) at #7.

The last of what could be eight new entries in this week’s Top 10 is AfterLife (Better Noise Music) by Five Finger Death Punch, at #9.

On the U.K.’s Official Singles midweeks, LF System’s “Afraid To Feel” (Warner Records) is on track for an eighth consecutive week at #1, with “B.O.T.A. (Baddest of Them All)” (Warner Records/X One House) by DJ Eliza Rose and producer Interplanetary Criminal close behind at #2.

OneRepublic’s Top Gun: Maverick track, “I Ain’t Worried” (Interscope), continues its ascent, up one to #5 today. Aitch and Ed Sheeran’s collaboration, “My G” (Capitol), is new at #7, and BLACKPINK could claim its first Top 10 single, with “Pink Venom” (Interscope) at #8.

THE HITS LIST TURKEY TROT
...with all the trimmings (11/22a)
AN AWARD-WINNING CMA GALLERY
Cowboy hats and funny caps (11/21a)
NEAR TRUTHS: WITCHING HOUR
It's not easy being green. (11/21a)
NEAR TRUTHS: REALIGNMENT AND RECOGNITION
Underscoring the year's biggest stories (11/19a)
NEAR TRUTHS: THE ELEPHANT IN THE ROOM
Nervous time in the music biz and beyond. (11/16a)
NOW WHAT?
We have no fucking idea.
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Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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