Tame Impala's Kevin Parker

IS THE MODERN-ROCK FORMAT SELF-DESTRUCTING?

Why do Modern-Rock programmers insist on playing it safe when it comes to playing viable new music? What does it say about the vibrancy of a format when current songs comprise less than 20% of a station’s playlist, and the biggest current was “broken” by a car commercial (Empire of the Sun), while format-serving obvious hits like Tame Impala’s latest are nowhere to be found?

In her latest Post Modern column, Karen Glauber asserts that something is rotten in the state of Modern Rock, and suggests to programmers—in no uncertain terms—what they MUST do in order for the format to survive. Warning: There’s a lot of YELLING in her commentary. Maybe Karen needs a change of scene. Austin is lovely this time of year…

FIREAID SETS SUPERSTAR LINEUP, EXPANDS TO FORUM
Everybody who's anybody will be performing. (1/16a)
SPOTIFY CANCELS GRAMMY-WEEK EVENTS, DONATES TO FIREAID, MUSICARES, MORE
Yet another shoe drops. (1/16a)
PERSHING SQUARE PUSHES TO SET UP U.S. LISTING FOR UMG
Ackman won't take no for an answer. (1/16a)
ACADEMY TELESCOPES GRAMMY WEEK EVENTS
The show must go on, with modifications. (1/15a)
I LOVE L.A.
Thoughts amid the flames. (1/16a)
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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