Reprise’s Michael Buble lies in wait at #2, with his Christmas album looking like the big holiday seller, adding another 220k (+29%) to his total, now at 736k after five weeks.
Def Jam/IDJ’s Rihanna bows at #3 with 197k for her Talk That Talk album, while Geffen’s Mary J. Blige debuts at #5, sandwiching last week’s chart-topper, YM/CM/Universal Republic’s Drake, at #4.
19/RCA’s Daughtry is the next biggest new Top 10 entry at #8, with Island/IDJ’s Justin Bieber (#6, +66%), XL/Columbia’s Adele (#7, +21%), Mercury Nashville/19/ Interscope’s Scott McCreery (#9, +161%) and Capitol/EMI’s Coldplay (#10, +53%) rounding out the Black Friday leaders.
Other Top 50 newcomers include Big Machine’s Taylor Swift live album, just outside the Top 10 at #11, Nickelodeon/Columbia’s Big Time Rush (#12), Capitol/EMI’s Bob Seger Ultimate Hits (#18, available for the first time on iTunes), Epic’s Michael Jackson Immortal soundtrack for Cirque du Soleil (#23), Ghet-O-Vision/ Shady/Interscope rapper Yelawolf (#25), Columbia America’s Got Talent winner Landau Eugene Murphy (#34), Walt Disney’s The Muppets soundtrack (#37), Wind-up Idol contestant James Durbin (#39) and UME’s Rolling Stones Some Girls reissue (#42).
A&M/Octone’s Maroon 5 leads the group of re-entries at #20, followed by Interscope’s Lady Gaga (#21), Hollywood’s Selena Gomez and the Scene (#27), Warner Bros. Nashville’s Blake Shelton (#38) and Wind-up’s Evanescence (#46).
Republic Nashville’s The Band Perry is the week’s biggest gainer (#39-15, +264%), followed by Interscope’s LMFAO (#36-16, +231%), Big Machine’s Taylor Swift Speak Now (#50-33, +149%), Cash Money/Universal Republic’s Lil Wayne (#23-14, +147), Show Dog’s Toby Keith (#29-28, +77%) and Roc-a-Fella/Roc Nation’s Jay Z/Kanye West Watch the Throne album (#32, +60%).
PRE-GRAMMY GALA GOES GAGA FOR GERSON
Jody will be the center of attention at Clive's shindig. (12/18a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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