Wind-up’s Evanescence, otherwise known as Amy Lee and the guys, find The Open Door to #1 this week, with an impressive 408k debut, which was enough to set back Island’s The Killers, as the Vegas boys’ Sam’s Town chalks up one of the largest #2 debuts of the year with 318k.
MCA Nashville country vet George Strait’s It Just Comes Natural does just that, landing at #3, with 230k in sales.
Geffen PoMo ruler Beck’s futuristic The Information (#7) and J Records/RMG diva Monica’s The Taking of Me (#8) are the week’s other Top 10 bows.
RPM/Columbia octogenarian crooner Tony Bennett is #4, followed by Jive/ZLG’s Justin Timberlake (#5), last week’s chart-topper, Def Jam South/IDJ’s Ludacris (#6), Aware/Columbia’s John Mayer (#9) and Unviersal Republic’s resilient Okie rockers Hinder (#10).
Other Top 50 newcomers include Atlantic’s Jet (#15), Sony BMG Nashville’s Chris Young (#21) and Concord Jazz’s Ray Charles/Count Basie collaboration (#22), the best-selling of the almost 70 posthumous Charles albums that have come out since his Grammy-winning Genius Loves Company. Verity gospel star Fred Hammond (#28), Capitol neo-classicist pop group The Decemberists (#43) and Star Trak/Interscope blue-eyed soul man Robin Thicke (#49) are the other first-time chart entrants.
Arista/RMG’s Carrie Underwood (#32-27, +6%) is the week’s largest gainer, followed by Universal Motown’s Blue October (#40, +5%), Lyric Street’s Rascal Flatts (#29-25, +4%), Roadrunner/IDJ’s Nickelback (#14, +2%) and MCA Nashville’s Josh Turner (#34, +1%).
This week’s releases include G Unit/Intercope’s Lloyd Banks at the head of the class, along with J’s Rod Stewart, Mailboat/SBMGN’s Jimmy Buffett and indie Lofton Creek country act Heartland.
PRE-GRAMMY GALA GOES GAGA FOR GERSON
Jody will be the center of attention at Clive's shindig. (12/18a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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