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UMG AND TIKTOK
WORK IT OUT
The kerfuffle is in the past. (5/2a)
LUCIAN SOUNDS OFF ON UMG/TIKTOK DEAL
A breakdown from the boss (5/2a)
JAMES KING: THE HITS INTERVIEW (PART ONE)
London calling (5/2a)
TOP 20: IT’S STILL TAYLOR’S WORLD
Large and in charge (5/2a)
THE MUSIC OF CLIVE COMES ALIVE AT CARNEGIE HALL
That's what friends are for. (5/1a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Music City
MUSIC CITY PITCHMEN: STEVE HODGES
7/19/16

EVP Promotion & Artist Development,
Sony Music Nashville


After 12 years in radio, Hodges made the jump to the record side and went to work for Capitol Nashville as a regional. After 20 years at Capitol, eventually rising to SVP Promotion—including the launching of EMI Nashville—he switched horses to Sony in July 2015.

How is launching a project different today than it was five or even three years ago?
Dynamics are changing daily. Music consumption is at an all-time high, but fans are discovering the music in a variety of ways. The onus is on us, as an entertainment industry, to help deliver that critical mass exposure for the artists and their music. Country radio is still a key driver in our world, but we’re also very aware of all the different platforms that exist, and we work hard to maximize those opportunities, daily. Some of those weren’t even around a few years ago. That’s how fast our world is evolving.

Why do you feel country artists’ relationships with radio are so much stronger than at any other format?
There’s a definite bond between artists and programmers/air talent in country music. Most of them have real-life stories and share common backgrounds, family and life experiences. I also think there’s a level of respect for each other’s crafts, with each knowing how critical one is to the other. Artist managers are keenly aware of this and do a great job of fostering this environment as well. Artists in our format dedicate a great amount of time on the road just to meet programmers/staff at country radio. It’s an admirable, top-notch work ethic.