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ANOTHER BILLIE BANGER? (UPDATE)
Are you free Wednesday afternoon? (11/12a)
BIEBER BY CHRISTMAS?
How's that for a tease, Bieber Nation? (11/12a)
NEAR TRUTHS: MEET
THE NEW BOSSES
Not the same as the old bosses (11/12a)
CMA CENTERPIECE
CARRIE UNDERWOOD
This sure feels like her moment. (11/12a)
WHO'S GETTING ZERVAS?
It's down to two bidders. (11/12a)
THE GRAMMY NOMINATOINS
They'll soon be here, and then we can start obsessing about who'll win.
U.K. SPECIAL
Forget Brexit--it's our yearly survey of doings in Blighty. And if you still can't forget Brexit, try drinking.
ZERVAS STATION
Who's going to land the hottest unsigned property in music?
WEED!
That's what Hollywood smells like. Seriously. 24/7.
Critics' Choice
RISE UP: "LIGHT" IN THE DARKNESS
6/5/19

By Michelle Santosuosso

There is no question we’re in the depths of the most divisive era in our modern history—fueled by a digital dynamic of detachment, as we extract our worldviews by customizing what information we’ll even allow ourselves to be exposed to. And it is a particularly heightened climate of oppression for people of color, who face new tides of systemic racism that is being exposed literally on the daily, by a powerful weapon of truth: the cel-phone camera.

With an increasingly pervasive climate of discrimination and xenophobia, the filming of racist behavior is a justified means of public shaming—and perhaps the only tool available to penetrate the comfortable bubble of white privilege. But just as technology can provide a platform for good or evil, another instrument can be used as a force for education, tolerance and unity: Music.

Enter remixer and mixtape producer J.Period, a Brooklyn-based DJ with a long history of five-star collaboration among the hip=hop and R&B elite, with The RISE UP Project—a soundtrack for social change, which dropped on all DSPs on 5/24 via Truelements/Dubset Media.

Featuring Grammy-winning artists Andra Day, Black Thought (The Roots), Aloe Blacc, Joss Stone, Posdnuos, Dead Prez, Rhymefest and Maimouna Youssef and produced by J.Period along with Young Guru, DJ Jazzy Jeff and DJ Khalil, The RISE UP album is a work of remarkable complexity, with ten songs that ruminate on riveting realness.

“The irony of a nation/claiming to be the United States yet never in a state of unification,” raps De La Soul’s Posdnuos on the opening track, “If we want to Rise Up then put the lies up, know the truth and show you need to size up yourself before you judge, in order to unify—someone’s gotta budge.”

The Rhymefest & Xzibit Blue Code banger “Miranda” is rooted in a chilling chorus from the latter whose distinctive growl warns, “You have a right to remain silent/So I suggest yo’ass stay silent/Cause it can and will be held against you/Can you afford somebody to defend you? You can have a jury of your peers/We still gonna give yo’ ass 20 years.” 

The lead single is “See The Light,” featuring Grammy winner Andra Day and hip-hop freedom fighters Dead Prez, whose searing raps on the track include lines like, “Kent State late ’60s, fueled by hate, this is no Malcom versus Martin debate, who can relate?”

Even the interludes on this album are powerful enough to give one pause. On “Mr. Officer,” Eric Robertson offers a short history lesson on how Marvin Gaye and Sam Cooke broke through for social change with their respective songs, before singing, over a sad, jazzy melody, “Mr. Officer can you spare some change, change the way that you look at me strange. Change the way that you’ve been taking names and then placing the blame on me.”

The lead single is “See The Light,” featuring Grammy winner Andra Day and hip-hop freedom fighters Dead Prez, whose searing raps include lines like, “Kent State late ’60s, fueled by hate, this is no Malcom versus Martin debate, who can relate?”

But it’s Aloe Blacc who delivers a masterpiece of political pop perfection with “Hands Up Don’t Shoot,” which is tethered to unflinching verses about brutal interactions with law enforcement, set to an irresistibly catchy melody embedded with autotune in the hook that will have you shook as you’re singing along, once you absorb the message.

Throughout our most difficult times, music has captured the zeitgeist of a complicated age and mirrored it back, melodically, as a teachable moment—whether that lesson came in the form of Joan Baez’ civil rights rallying cry “We Shall Overcome” in 1963, N.W.A’s defiant takedown “Fuck Tha Police” in 1988 or Kendrick Lamar’s hopeful anthem “Alright” in 2015. Music is a powerful weapon to communicate experiences with visceral emotion, but artists can only lay the groundwork for a conversation.  A song can sustain us through a struggle, but only action saves us from the same.

 

REVISITING LA PUNK
6/4/19

John Doe and Tom DeSavia will revisit the days of Madame Wong’s West, The Masque and Club Lingerie in a discussion of their new book More Fun In the New World: The Unmaking and Legacy of L.A. Punk  at Largo at the Coronet tonight.

Book contributors Pleasant Gehman, Charlotte Caffey of The Go-Go’s and skateboard guru Tony Hawk will chime in as well. Get tickets here.

Brace yourself for stories about Oki Dog, the rock & roll Ralph’s and how hair metal ruined the Sunset Strip.

FRANKLIN BRINGS GOSPEL TO BEATS 1
5/22/19

Kirk Franklin sat down with Beats 1’s Ebro Darden in the Apple Music service’s first-ever interview with a gospel artist.

Franklin discussed his 13th album, Long Live Love, which comes out 5/31, his work with Kanye West and West’s “Sunday Service,” and other topics. Franklin premiered “Strong God” on the show, which you can check out here.

Franklin also just unveiled the video for single “OK,” will host and headline the second annual Exodus Music & Arts Festival on 5/26 in Irving, Texas, and return as host for the ninth season of BET’s Sunday Best on 6/30. His 26-city Long Live Love Tour  kicks off in Austin on 7/11.