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UMG AND TIKTOK
WORK IT OUT
The kerfuffle is in the past. (5/2a)
LUCIAN SOUNDS OFF ON UMG/TIKTOK DEAL
A breakdown from the boss (5/2a)
JAMES KING: THE HITS INTERVIEW (PART ONE)
London calling (5/2a)
TOP 20: IT’S STILL TAYLOR’S WORLD
Large and in charge (5/2a)
THE MUSIC OF CLIVE COMES ALIVE AT CARNEGIE HALL
That's what friends are for. (5/1a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Critics' Choice
LISTEN BEFORE CASTING YOUR BALLOT: LEON BRIDGES, COMING HOME
10/28/15

Leon Bridges, Coming Home (Columbia): How does a 21st-Century kid from Texas so utterly capture not merely the sound but the vibe, the spirit, of classic Sam Cooke, Otis Redding and Solomon Burke records? However he does it, Bridges is heaven-sent—and while the Best New Artist buzz on him is deafening, his debut full-length also deserves thorough consideration. At its core is an authenticity, even an innocence, befitting the consistently gorgeous material, such as the incandescent “Brown Skin Girl,” the stirring “Better Man,” the Muscle Shoals funk of “Smooth Sailin’” and the moving tribute to his mom, “Lisa Sawyer.” Coming Home flows with seemingly effortless grace, moving past the self-conscious nostalgia of much tradition-minded music and going right to the heart.