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NEAR TRUTHS: WITCHING HOUR
It's not easy being green. (11/21a)
AN AWARD-WINNING CMA GALLERY
Cowboy hats and funny caps (11/21a)
GRAMMY CHEW: RUMINATING ON THE BIG 4 NOMS
80% is a lot better than usual. (11/15a)
NEAR TRUTHS: REALIGNMENT AND RECOGNITION
Underscoring the year's biggest stories (11/19a)
NEAR TRUTHS: THE ELEPHANT IN THE ROOM
Nervous time in the music biz and beyond. (11/16a)
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
THE B-SIDE
Hitkidd (Blac Noize!)
8/4/22

WHAT IT IS: Rising Memphis producer Hitkidd, neé Anthony Lorenzo Holmes Jr., has been honing his craft since the age of 14. Injecting his own personality and modernized touch to the booming 808s and tension-heavy beats his city is known for, he expanded his passion for music from a hobby to a thriving career by collaborating with the likes of Big Boogie, Lil $tunna, Big Mota and more before making tracks for big-name artists like Duke Deuce, Baby Tate and BlockBoy JB, among others. Most notably, he produced several tracks on Megan Thee Stallion’s Something for Thee Hotties. He’s continuing his rapid ascent in the hip-hop world with his GloRilla-featured viral hit “F.N.F. (Let’s Go).”
ALBUM: TBA
SINGLE: “F.N.F (Let’s Go)”
INTERNET: 1.6m+ monthly Spotify listeners; 27m+ official video views on single in a two-month span, 72.7k+ subscribers; nearly 72k Instagram followers; 300k+ TikTok video creations with sound; debuted #91 on the Hot 100, #78 at presstime
RADIO: Trending toward push for #1 at Urban in coming weeks; rising at Rhythm and heading into Top 20
PRESS: FADER, Stereogum, more
PUBLISHING: Beatstars
MANAGEMENT: Kadeem Phillips