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NEAR TRUTHS:
SPRING BLOOMS
Here come the big guns. (3/29a)
THE COUNT: COLDPLAY IS HOT, COUNTRY'S COOKIN' IN THE U.K.
The latest tidbits from the bustling live sector (3/29a)
CITY OF HOPE TAPS MARCIANO FOR TOP HONOR
This year's philanthropic model (3/28a)
TRUST IN THE TOP 20
Hip-hop is no longer hibernating. (3/27a)
UMG BROADENS SPOTIFY OFFERINGS
Sir Lucian and Daniel are in harmony. (3/28a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
THE B-SIDE
Chelsea Collins (HITCO)
4/28/20

WHAT IT IS: Prior to inking a label deal with HITCO, Bay area pop singer/songwriter/multi-instrumentalist Chelsea Collins began penning songs at the tender age of nine. After releasing a series of tracks that garnered millions of plays across DSPs and YouTube, the songstress dropped her label debut single, “Used to Be (L.O.V.E.),” on 3/27 and received prime placement on Spotify’s New Music Friday. The single, which samples the Nat King Cole 1965 jazz/swing track “L-O-V-E,” features alluring visuals and offers bold, brash pop sounds with hints of R&B. With her evocative vocals and striking lyrics, Collins has begun carving out a space for herself in the pop landscape.
SINGLE: “Used to Be (L.O.V.E.)”
INTERNET: 138k+ monthly Spotify listeners, single landed on Spotify’s New Music Friday; 102k+ Instagram followers; 25k YouTube subscribers, up 25% in three weeks
PRESS: Uranium Waves (“The composition is filled with emotion and charisma”), Imperfect Fifth, CelebMix (“The melody flows into a bopping pop tune rife with crunching drums delivering hints of trap muscle combined with anime coloration”)
MANAGEMENT: Gary Bowen