NEAR TRUTHS: REALIGNMENT AND RECOGNITION
Underscoring the year's biggest stories (11/19a)
NEAR TRUTHS: THE ELEPHANT IN THE ROOM
Nervous time in the music biz and beyond. (11/16a)
| ||
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
|
WHAT IT IS: Prior to inking a label deal with HITCO, Bay area pop singer/songwriter/multi-instrumentalist Chelsea Collins began penning songs at the tender age of nine. After releasing a series of tracks that garnered millions of plays across DSPs and YouTube, the songstress dropped her label debut single, “Used to Be (L.O.V.E.),” on 3/27 and received prime placement on Spotify’s New Music Friday. The single, which samples the Nat King Cole 1965 jazz/swing track “L-O-V-E,” features alluring visuals and offers bold, brash pop sounds with hints of R&B. With her evocative vocals and striking lyrics, Collins has begun carving out a space for herself in the pop landscape.
SINGLE: “Used to Be (L.O.V.E.)”
INTERNET: 138k+ monthly Spotify listeners, single landed on Spotify’s New Music Friday; 102k+ Instagram followers; 25k YouTube subscribers, up 25% in three weeks
PRESS: Uranium Waves (“The composition is filled with emotion and charisma”), Imperfect Fifth, CelebMix (“The melody flows into a bopping pop tune rife with crunching drums delivering hints of trap muscle combined with anime coloration”)
MANAGEMENT: Gary Bowen