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RYAN REDINGTON’S
ROBUST REMIT
Industry, baby. (3/23a)
BOYGENIUS:
ON the record
The buzz from SXSW is deafening. (3/23a)
IFPI: MUSIC REVENUE HITS $26.2B
Streaming accounts for more than two-thirds of the income. (3/22a)
TOP 20: MORGAN KEEPS ON SAILING
Week three at #1. (3/23a)
CHINA CONTINUES TO OPPOSE TIKTOK SALE
A standoff of global powers (3/23a)
HIP-HOP AT 50
The astonishing first half-century of a world-rocking genre.
K-POP'S NEW ARRIVAL
Who's next to grow the profile of Seoul music?
FESTIVAL SEASON
Are we about to see new attendance records set?
RAINMAKERS: GEORGE SANTOS
He signed Elvis.
THE B-SIDE
Santi (LVRN/Interscope)
4/27/20

WHAT IT IS: Emerging from the nucleus of Nigeria’s left scene, Santi, born Osayaba Ize-lyamu, first stepped on the scene in 2009 as a rapper. A 90s kid himself; the very artists Santi grew up admiring co-signed him from the jump. With Wizkid hyping his freestyle rap over Drake’s “Juice,” to frequent nods via Drake’s label OVO, the freewheeling, multi-genre independent artist is on the rise. Laden with guest features like Ghanaian R&B singer/songwriter Amaarae, South African DIY Hip-hop pundit Shane Eagle, Virginia singer/rapper DRAM and DMV-hailing Goldlink, Santi’s most recent album, Mandy & The Jungle is a deeply textured, flavorful body of work with unwavering allegiance to his Monster Boy crew, including producers Genio and GMK.
SINGLE: “Freaky”
INTERNET: 393k+ monthly Spotify listeners, 67.3k+ Instagram followers; 605k+ YouTube views on “Freaky,” 1.3m+ on “Rapid Fire”
PRESS: Vice, The Native Mag, Crack Mag, more
BOOKING: WME
MANAGEMENT: LVRN