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OUR POST-GRAMMY CHEW TAKES LESS THAN FOUR HOURS TO READ
We'll let you get back to your day ASAP. (2/7a)
HITS LIST WINNERS
Here's who's lighting up the scoreboard before and after the Grammys. (2/3a)
GRAMMY-WEEK ALBUM: PICS TO CLICK
Including shots of several luminaries entrapped by a HITS nerd. (2/8a)
GRAMMY RATINGS SOAR
The emphasis on star power seems to have worked. (2/7a)
A TASTE OF RAINMAKERS:
JIM ROPPO
Building blocks of a singular career (2/8a)
HIP-HOP AT 50
The astonishing first half-century of a world-rocking genre.
THE NEXT BIG PLAYER
in the catalog game is...
INDIE BREAKOUTS
More independent music rises at the DSPs.
THE GOP CONGRESS
At last, America can focus 24/7 on Hunter Biden's laptop.
THE B-SIDE
Matt Maeson (Neon Gold)
4/27/20

WHAT IT IS: Following his genre-blending 2019 track, “Cringe,” which spent four weeks at #1 on both U.S. Alt radio and the alt chart, Matt Maeson’s latest single, “Hallucinogenics,” is picking up momentum across the country. Hailing from Norfolk, Va., as the offspring of Christian metal musicians, the soul-baring singer/songwriter grew up unexposed to secular music, but the 26-year-old exhibits the influences of legends like Johnny Cash, Kurt Cobain and Jeff Buckley in his alt-indie sound. Following a pair of EPs, his debut album, Bank on the Funeral, and his Amazon-original single, “We Were the Same,” fans are eagerly awaiting Maeson’s second studio album.
ALBUM: Bank on the Funeral
RELEASE DATE: 4/5/19
SINGLE: “Cringe” and “Hallucinogenics”
TV: Late Night With Seth Myers
LIVE: Sold out his North American headline tour, performed “Hallucinogenics” with Lana Del Rey on his tour; scheduled direct support for KALEO in the fall
INTERNET: 70m+ streams between both singles on Spotify alone, 2.3m+ monthly listeners; 65.3k+ Instagram followers
RADIO: “Cringle” spent four weeks at #1 at Alt radio; “Hallucinogenics” reacting at Alt, #36 at presstime
PRESS: OTW, Time, ANCHR, 303, Complex, more
BOOKING: Christine Cao and Ryan Craven/Paradigm
PUBLISHING: UMPG
MANAGEMENT: Clayton Blaha