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RYAN REDINGTON’S
ROBUST REMIT
Industry, baby. (3/23a)
BOYGENIUS:
ON the record
The buzz from SXSW is deafening. (3/23a)
IFPI: MUSIC REVENUE HITS $26.2B
Streaming accounts for more than two-thirds of the income. (3/22a)
TOP 20: MORGAN KEEPS ON SAILING
Week three at #1. (3/23a)
CHINA CONTINUES TO OPPOSE TIKTOK SALE
A standoff of global powers (3/23a)
HIP-HOP AT 50
The astonishing first half-century of a world-rocking genre.
K-POP'S NEW ARRIVAL
Who's next to grow the profile of Seoul music?
FESTIVAL SEASON
Are we about to see new attendance records set?
RAINMAKERS: GEORGE SANTOS
He signed Elvis.
THE B-SIDE
Matt Maeson (Neon Gold)
4/27/20

WHAT IT IS: Following his genre-blending 2019 track, “Cringe,” which spent four weeks at #1 on both U.S. Alt radio and the alt chart, Matt Maeson’s latest single, “Hallucinogenics,” is picking up momentum across the country. Hailing from Norfolk, Va., as the offspring of Christian metal musicians, the soul-baring singer/songwriter grew up unexposed to secular music, but the 26-year-old exhibits the influences of legends like Johnny Cash, Kurt Cobain and Jeff Buckley in his alt-indie sound. Following a pair of EPs, his debut album, Bank on the Funeral, and his Amazon-original single, “We Were the Same,” fans are eagerly awaiting Maeson’s second studio album.
ALBUM: Bank on the Funeral
RELEASE DATE: 4/5/19
SINGLE: “Cringe” and “Hallucinogenics”
TV: Late Night With Seth Myers
LIVE: Sold out his North American headline tour, performed “Hallucinogenics” with Lana Del Rey on his tour; scheduled direct support for KALEO in the fall
INTERNET: 70m+ streams between both singles on Spotify alone, 2.3m+ monthly listeners; 65.3k+ Instagram followers
RADIO: “Cringle” spent four weeks at #1 at Alt radio; “Hallucinogenics” reacting at Alt, #36 at presstime
PRESS: OTW, Time, ANCHR, 303, Complex, more
BOOKING: Christine Cao and Ryan Craven/Paradigm
PUBLISHING: UMPG
MANAGEMENT: Clayton Blaha