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ANALYZING THE ACMS
A few firsts among the ACM Awards noms. (2/26a)
LIVE NATION EYES
SUMMER RESTART
Rapino's ready for festivals to return. (2/26a)
DODGING BULLETS AND DIVINE PURPOSE
Kamasi Washington answers our questions. (2/26a)
iHEARTMEDIA RESTRUCTURES BUSINESS UNITS
Radio giant makes a shift. (2/26a)
FREEDOM NOW AND OTHER JAMS, PT. 1
Social justice through the lens of jazz (2/23a)
BLACK HISTORY MONTH
A jazz chronicle of fighting the power.
GRAMMYS: WHERE TO FROM HERE?
After the snubs, the show.
ACQUITTED
In a phenomenal display of cowardice.
MOVING THE NEEDLE
When vaccination schedules and touring schedules meet.
THE B-SIDE
Gabby Barrett (Warner Music Nashville)
2/4/20

WHAT IT IS: Launching in 2019 with her debut single, “I Hope,” newcomer Gabby Barrett caught the attention of Warner Music Nashville and began a skyrocketing ascent to country popularity. With over 140m total global streams, Barrett has been shortlisted as one of CMT’s Next Women of Country, a Radio Disney Next Big Thing artist and a Country Artist to Watch by Amazon Music and Pop Culture, as well as an all-genre Artist to Watch by SiriusXM/Pandora. “I Hope” continues to garner support as one of Rolling Stone’s “10 Best Country and Americana Songs to Hear Now” as it rises on Country radio’s Top 25. Her debut album is expected out in 2020.
ALBUM: TBA
RELEASE DATE: 2020
SINGLE: “I Hope”
TV: American Idol, ARDYs: A Radio Disney Music Celebration
LIVE: Opened for Chris LaneDierks Bentley, Jake Owen, more; set to perform at Stagecoach, Tortuga, Country Jam, more
INTERNET: 900k+ followers across social media; 73k+ activity on TikTok using “I Hope”
RADIO: “I Hope” Top 25 and climbing on Country radio, already topped SiriusXM’s The Highway Hot 30 Countdown
PRESS: E!, Entertainment Tonight, People, Billboard (“pure power”), Rolling Stone (“full of venom and vitriol”), Music Row (“strikingly mature”), CMT (“pulls the listener in with each passing line”), Taste of Country, Country Living, The Tennessean
BOOKING: Carrie Murphy/WME
PUBLISHING: Sony/ATV
MANAGEMENT: Tom Lord/Red Light Management