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OUR POST-GRAMMY CHEW TAKES LESS THAN FOUR HOURS TO READ
We'll let you get back to your day ASAP. (2/7a)
HITS LIST WINNERS
Here's who's lighting up the scoreboard before and after the Grammys. (2/3a)
GRAMMY-WEEK ALBUM: PICS TO CLICK
Including shots of several luminaries entrapped by a HITS nerd. (2/8a)
GRAMMY RATINGS SOAR
The emphasis on star power seems to have worked. (2/7a)
A TASTE OF RAINMAKERS:
JIM ROPPO
Building blocks of a singular career (2/8a)
HIP-HOP AT 50
The astonishing first half-century of a world-rocking genre.
THE NEXT BIG PLAYER
in the catalog game is...
INDIE BREAKOUTS
More independent music rises at the DSPs.
THE GOP CONGRESS
At last, America can focus 24/7 on Hunter Biden's laptop.
THE B-SIDE
Taylor Janzen (Glassnote)
2/4/20

WHAT IT IS: Growing up, Taylor Janzen wasn’t encouraged to speak through her feelings, so she turned to songwriting as an outlet. As a result, with each song we’re granted an intimate and almost painstakingly brazen glimpse into the most heart- wrenching pages of her diary. She writes candidly, touching on the topics of mental health and emotional abuse. Janzen first garnered praise from the likes of The New York Times with her debut EP, Interpersonal. Her second release, the 2019 EP Shouting Matches, was her first effort with a full band. To close out 2019, she released “What I Do...”, her first single with Glassnote.
SINGLE: “What I Do...”
LIVE: SiriusXM Advanced Placement Tour with Beabadoobee
INTERNET: 176.5k+ monthly listeners on Spotify, 260k+ combined video views on YouTube; playlist support from Apple Music, YouTube Music, Amazon, Pandora
RADIO: Chartbound at Alternative; feature spins at KCSN, WNRN, KPND, WQKL, KSXY, more
PRESS: Paste (“Janzen is increasingly in a class all of her own”), NPR, NYT
BOOKING: David Galea and Ryan Edmundson/UTA
PUBLISHING: Taylor Janzen Music (BMI)
MANAGEMENT: Chris Woltman & Daniel Rubin/Element1 Music