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ANALYZING THE ACMS
A few firsts among the ACM Awards noms. (2/26a)
LIVE NATION EYES
SUMMER RESTART
Rapino's ready for festivals to return. (2/26a)
DODGING BULLETS AND DIVINE PURPOSE
Kamasi Washington answers our questions. (2/26a)
iHEARTMEDIA RESTRUCTURES BUSINESS UNITS
Radio giant makes a shift. (2/26a)
FREEDOM NOW AND OTHER JAMS, PT. 1
Social justice through the lens of jazz (2/23a)
BLACK HISTORY MONTH
A jazz chronicle of fighting the power.
GRAMMYS: WHERE TO FROM HERE?
After the snubs, the show.
ACQUITTED
In a phenomenal display of cowardice.
MOVING THE NEEDLE
When vaccination schedules and touring schedules meet.
THE B-SIDE
Taylor Janzen (Glassnote)
2/4/20

WHAT IT IS: Growing up, Taylor Janzen wasn’t encouraged to speak through her feelings, so she turned to songwriting as an outlet. As a result, with each song we’re granted an intimate and almost painstakingly brazen glimpse into the most heart- wrenching pages of her diary. She writes candidly, touching on the topics of mental health and emotional abuse. Janzen first garnered praise from the likes of The New York Times with her debut EP, Interpersonal. Her second release, the 2019 EP Shouting Matches, was her first effort with a full band. To close out 2019, she released “What I Do...”, her first single with Glassnote.
SINGLE: “What I Do...”
LIVE: SiriusXM Advanced Placement Tour with Beabadoobee
INTERNET: 176.5k+ monthly listeners on Spotify, 260k+ combined video views on YouTube; playlist support from Apple Music, YouTube Music, Amazon, Pandora
RADIO: Chartbound at Alternative; feature spins at KCSN, WNRN, KPND, WQKL, KSXY, more
PRESS: Paste (“Janzen is increasingly in a class all of her own”), NPR, NYT
BOOKING: David Galea and Ryan Edmundson/UTA
PUBLISHING: Taylor Janzen Music (BMI)
MANAGEMENT: Chris Woltman & Daniel Rubin/Element1 Music