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SPIRIT OF SYLVIA (UPDATE)
Saluting a legend (10/14a)
STREAMING SONGS CHART: CLIMBERS
Shock of the new (10/11a)
SONG REVENUE CHART: CAPTAIN KIRK
Da teen vs. DaBaby (10/11a)
SUPERM WINS THE CHART BATTLE
Unexpected drama (10/14a)
GRAMMY CHEW:
BEST NEW ARTIST
An uber-competitive category (10/14a)
RIHANNA PREPARES TO RULE THE ROOST
What shoes go with dancehall?
WHAT'S NEXT FOR R&B?
How certain projects connect at streaming.
THE K-POP LANDSCAPE
농담은 한국어에서 더 잘 작동합니다.
THE NEW GRAMMY POWER
Change is nigh.
THE B-SIDE
Sasha Sloan (Good Times Recording)
2/27/18

WHAT IT IS: Sasha Sloan established herself as one to watch last fall when she wrote and appeared on Kygo’s “This Town,” King Henry’s “I’ll Be There” and Odesza’s “Falls.” Her rise has continued with the release of her first solo track, “Ready Yet,” and follow-up “Runaway,” which was featured at #2 on Spotify’s New Music Friday playlist. She’ll bring her heartfelt, left-of-center pop to her highly anticipated debut EP—set to be released this spring. Sloan’s songwriting talents have also been sought after by today’s top artists, including Camila Cabello (“Never Be the Same”), Maggie Lindemann (“Pretty Girl”), Steve Aoki/Louis Tomlinson (“Just Hold On”), Tinashe/Future (“Faded Love”) and more. Her songwriting has leant itself to over 1b streams.
SINGLE: “Normal”
LIVE: Opening for Joywave on current nationwide tour (Feb-March); booked for multiple major festivals in the U.S.
INTERNET: Debut single “Ready Yet” has amassed 7.3m+ Spotify streams since October release; 6.4m+ “Runaway” streams
PRESS: Complex (“Sloan pour[s] her soul out over a melancholic backdrop as she deals with heartbreak”), Billboard (“bright talent returns with a two-track offering that only builds the hype”), Notion (“Sloan shows off her impressive lyric writing ability”)
BOOKING: Matt Galle/Paradigm
PUBLISHING: Warner/Chappell
MANAGEMENT: Rupert Lincoln/Hills Artist Management