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HITS LIST WINNERS
Here's who's lighting up the scoreboard. (2/3a)
CHEWING ON THE BIG 4: OUR PICKS
Fearless forecast, with caveats (2/3a)
GRAMMY NOMS IN THE MARKETPLACE
Let's see how they've sold and streamed. (2/3a)
CHART FINAL: TXT's FIRST #1
They've got a lotta Seoul. (2/3a)
SPEAKER IN THE HOUSE
His Cliveness can still pack 'em in on Grammy eve. (2/4a)
HIP-HOP AT 50
The astonishing first half-century of a world-rocking genre.
THE NEXT BIG PLAYER
in the catalog game is...
INDIE BREAKOUTS
More independent music rises at the DSPs.
THE GOP CONGRESS
At last, America can focus 24/7 on Hunter Biden's laptop.
THE B-SIDE
Starley (Epic)
3/14/17

WHAT IT IS: This Australian artist’s breakout hit, “Call On Me,” is a record that was initially crafted to be a symbol of hope for herself during a low point in her life. The song serves as an appealing introduction to the singer/songwriter, as her potent sound proves to be a mix of warm indie folk and dynamic dance pop. Her affecting melodies, emotionally resonant lyrics and soulful voice make each song sound intimate and vital. “Call On Me” is resonating with fans around the world, having racked up north of 220m Spotify streams (between the original acoustic-driven version and Melbourne DJ Ryan Riback’s remix) by the start of 2017.
SINGLE: “Call On Me”
TV: GMA performance on 2/27; Today 3/10, Kimmel 4/4
LIVE: Upcoming tour with Zara Larsson and Clean Bandit 3/31-5/2
RADIO: Impacted Hot AC and Rhythm on 11/21/16; impacted Top 40 on 1/9
PRESS: Perez Hilton (“This is one of the best songs of 2016”), TheMusic.Com (“After carving up music charts around the world, it was really just a matter of time before Starley would make her U.S. TV debut and the singer has done just that”)
BOOKING: Marty Diamond/Paradigm
MANAGEMENT: Elissa Felman