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OUR POST-GRAMMY CHEW TAKES LESS THAN FOUR HOURS TO READ
We'll let you get back to your day ASAP. (2/7a)
HITS LIST WINNERS
Here's who's lighting up the scoreboard before and after the Grammys. (2/3a)
GRAMMY-WEEK ALBUM: PICS TO CLICK
Including shots of several luminaries entrapped by a HITS nerd. (2/8a)
GRAMMY RATINGS SOAR
The emphasis on star power seems to have worked. (2/7a)
A TASTE OF RAINMAKERS:
JIM ROPPO
Building blocks of a singular career (2/8a)
HIP-HOP AT 50
The astonishing first half-century of a world-rocking genre.
THE NEXT BIG PLAYER
in the catalog game is...
INDIE BREAKOUTS
More independent music rises at the DSPs.
THE GOP CONGRESS
At last, America can focus 24/7 on Hunter Biden's laptop.
THE B-SIDE
Nicole Atkins (Single Lock)
3/14/17

WHAT IT IS: Get ready for a ’60s-inspired, blue-eyed soul album with nods to Dusty Springfield, Janis Joplin, Candi Staton and Loretta Lynn.
ALBUM: Goodnight, Rhonda Lee
RELEASE DATE: Summer 2017
SINGLE: “A Little Crazy”
TV: TBD Summer 2017
LIVE: Multiple shows during SXSW 2017; on tour 5/1-17 with Old 97s
INTERNET: 10k+ Instagram followers, 25k+ Facebook likes
RADIO: TBD Summer 2017
PRESS: NPR (“A voice that could melt the heart of a devil… When Nicole Atkins sings, she sounds like Roy Orbison, Patsy Cline and Janis Joplin all rolled into one voice”), New York Times (“… a soaring, dramatically powerful voice”), Rolling Stone (“Atkins has a big voice full of longing, Loretta Lynn elegance and slightly surreal folk-pop that evoke moonlit walks with the shadows closing in”), BBC (“Her voice is that of a tremolo-fuelled siren, at once adult and nakedly emotional…”)
BOOKING: Paul Lohr, Jon McCoy/ New Frontier
PUBLISHING: Self-published
MANAGEMENT: Vickie Starr/Girlie Action