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DUO TO RULE ISLAND
Two heads are better than one. (6/17a)
GUETTA GOES GLOBAL WITH WARNER MUSIC
Bugs is dancing in the street. (6/17a)
REVENUE CHART:
LIL BIG BUCKS
Pull up the Brinks truck. (6/17a)
TOP 20: POLO MATCH
Looks like we have a horse race. (6/17a)
MUSIC’S HOTTEST FIRMS: GREENBERG TRAURIG
Myriad lawyers, no waiting. (6/17a)
RHYTHM, BLUES AND THE FUTURE
The musical tapestry we know as R&B.
WHO'S NEXT?
Predicting the next big catalog deal.
JUST THE VAX, MA'AM
Once we all get vaccinated, how long before we can party?
WORLDWIDE GROOVE
How is globalization bringing far-flung territories into the musical mainstream?
THE B-SIDE
Billie Marten (RCA/Chess Club)
11/24/16

WHAT IT IS: “I mean this honestly when I say I don’t think I’ve ever worked with someone as naturally talented as Billie,” says RCA U.K./Chess Club A&R Manager Will Street. “Her music genuinely moves people, which has become a rare gift in today’s world. Her songwriting is so pure and honest and conjures genuine emotion within the listener and her voice is angelic, vulnerable and yet so strong. A beautiful juxtaposition.” Marten’s debut album was released in September and received four- and five-star reviews across the board. Latest single “Live” is currently at radio. Her debut U.K. tour sold out and kicked off in October. The Sunday Times summed it up with, “It isn’t an excellent debut for a 17-year-old. It’s an excellent debut, period. With Writing of Blues and Yellows, Marten places herself in the company of Nick Drake, John Martyn, Kate Bush and Joni Mitchell.” Her team consists of Frances O’Connor and Lucy Francis (management), Nick Matthews (agent) and Hugo Turquet (Chrysalis publishing), to name a few.