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SPENCER-SMITH LANDS WITH AG MANAGEMENT, WCM (UPDATE)
New manager, pub deal (6/28a)
BIZ RESPONDS TO ROE V. WADE DECISION (UPDATE)
Artists and companies unite. (6/27a)
PERFORMERS SPEAK OUT AT GLASTO
Singers voice their dismay over the Supreme Court's latest decision. (6/28a)
BST HYDE PARK: BIGGER THAN EVER
England swings. (6/28a)
BIG RED'S BIG POP RUN (UPDATE)
Nine in the Top 40 (6/27a)
SUPERSTAR RELEASES
Who's next?
MUSIC BIZ SPECIAL
It's Comic-Con for numbers geeks.
THE BIG CHEESE
Theories of evolution from 30,000 feet.
THE NEXT GIANT DEAL
A&R in overdrive.
Pub Crawling
NICK LEE, INDUSTRY BABY
8/6/21

Producer/songwriter Nick Lee jumped into the limelight recently as contributor (in tandem with Take a Daytrip) to Lil Nas X’s latest rocket, “Industry Baby” (Columbia).

The L.A.-bred creator, who trained in jazz trombone at Juilliard and performed with the likes of Wynton Marsalis and Christian McBride. Inked to Atlas Music Publishing by Paige Parsons and managed by Max Cho of Cho & Co., Lee has co-penned a diverse array of works including Audrey Mika’s Excuses (RCA), Gunnar Gehl’s “Good Enough” (Big Machine), Dillon Francis’ “You Do You” and “Touch” (Mad Decent) and Rachel Platten’s “Soldiers,” which got a new look via CBS network promos, and more. He’s also been composing for TV over the past year, with music featured on (among other projects) NBC Universal’s Grand Crew and Lionsgate/Fox’s mockumentary series Welcome to Flatch.

Does Nick still have a hankering to wail on his axe to some Art Blakey sides? You’ll have to ask him.