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NEAR TRUTHS: SPRING BLOOMS
Here come the big guns. (3/28a)
THE COUNT: COLDPLAY IS HOT, COUNTRY'S COOKIN' IN THE U.K.
The latest tidbits from the bustling live sector (3/28a)
CITY OF HOPE TAPS MARCIANO FOR TOP HONOR
This year's philanthropic model (3/28a)
TRUST IN THE TOP 20
Hip-hop is no longer hibernating. (3/28a)
UMG BROADENS SPOTIFY OFFERINGS
Sir Lucian and Daniel are in harmony. (3/28a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Pub Crawling
NICK LEE, INDUSTRY BABY
8/6/21

Producer/songwriter Nick Lee jumped into the limelight recently as contributor (in tandem with Take a Daytrip) to Lil Nas X’s latest rocket, “Industry Baby” (Columbia).

The L.A.-bred creator, who trained in jazz trombone at Juilliard and performed with the likes of Wynton Marsalis and Christian McBride. Inked to Atlas Music Publishing by Paige Parsons and managed by Max Cho of Cho & Co., Lee has co-penned a diverse array of works including Audrey Mika’s Excuses (RCA), Gunnar Gehl’s “Good Enough” (Big Machine), Dillon Francis’ “You Do You” and “Touch” (Mad Decent) and Rachel Platten’s “Soldiers,” which got a new look via CBS network promos, and more. He’s also been composing for TV over the past year, with music featured on (among other projects) NBC Universal’s Grand Crew and Lionsgate/Fox’s mockumentary series Welcome to Flatch.

Does Nick still have a hankering to wail on his axe to some Art Blakey sides? You’ll have to ask him.