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NEAR TRUTHS: KINGDOMS
File under: The enemy of my enemy is my friend. (3/26a)
ONE SHINING HITS LIST
She shoots, she scores! (3/26a)
YTD MARKET SHARE
Zeroing in on the elite teams (3/27a)
BEST IN THE WEST:
STEVE BERMAN
High time for another Eminem skit (3/26a)
MUSIC REVENUE TOPPED $17B IN 2023: RIAA
Streaming subscriptions lead the charge. (3/27a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Pub Crawling
A YEAR-END PUB CRAWL, PART 2
12/17/19

Read Part 1 here

Jon Platt's Sony/ATV, which earned Publisher of the Year at BMI and ASCAP Pop, BMI R&B/Hip-Hop and the triple crown of Latin Music Publisher at ASCAP, BMI And SESAC, enjoyed gangbusters songwriter revenue from culture-shifting unicorn Lil Nas X as well as superstars Ed Sheeran, Taylor Swift, Lady Gaga, Khalid, Eric Church and Miranda Lambert, among others, in addition to inking Mustard, King Princess, Sam Hollander (Panic! At the Disco, Weezer, One Direction), Def Leppard’s catalog and more and re-upping Boi-1da (Drake, Rhianna), Camila Cabello and busy writer/producer Ricky Reed (Lizzo, Halsey, Maggie Rogers). Platt also reunited with superstar Rihanna late in the year.


Platt was also busily fine-tuning his team, assisted by prexy Danny Strick, among other key insiders; he upped President/CEO Latin America and U.S. Latin Jorge Mejia and brought in new Nashville head Rusty Gaston (Josh Van Valkenburg is overseeing the Music City A&R team). SVP A&R and West Coast luminary Jen Knoepfle, who inked King Princess, also worked closely with Jack Antonoff and Joel Little on Swift’s monster album Lover. The House of Platt was also rather chuffed about the licensing boomlet occasioned by Danny Boyle’s cinematic Beatles fantasy, Yesterday, which racked up $150m at the box office.

Read Part 3 here

Read Part 4 here