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PRE-GRAMMY GALA GOES GAGA FOR GERSON
Jody will be the center of attention at Clive's shindig. (12/18a)
ON THE COVER:
BILLIE EILISH
A star upon the highest bough (12/19a)
NOISEMAKERS:
A HOLIDAY TREAT
Something for their stockings (12/18a)
SUPREME COURT SETS 1/10 HEARING ON TIKTOK BAN
How will SCOTUS rule? (12/19a)
THE HIP-HOP CONUNDRUM
Grammy being Grammy (12/19a)
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
Pub Crawling
SONY/ATV WRITERS PUT THEIR SYNCING CAMPS ON
10/15/18

Sony/ATV revealed today that it has issued more than 300 sync licenses on behalf of its songwriters for original songs and recordings created at the company's sync writing camps.

Each camp typically brings together about 20 SATV writers who over several days collaborate in groups to create brand new songs and master recordings, sometimes working to a specific brief from a leading brand. Among the 300 sync licenses that have been issued include Super Bowl campaigns, commercials for Adidas, Bose, Comcast, Google, NFL, and countless movies, TV shows, trailers and video games.

Notable songs birthed from the SATV camps include "Get Loud For Me," written by Mike Sabath and Gizzle, featured in an NFL/Bose commercial and has amassed nearly 4m streams on Spotify while being added to 67k playlists; Daphne Willis' "Do It Like This," which was penned by Willis with Austin Massirman and Sabath and used in Comcast/Xfinity commericials along with becoming a phenomenon in dance classes across South Korea and beyond.

Campers also created a whopping 275 ceramic ashtrays that say "World's Greatest Grampa."