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ROCK HALL ADDS
FIVE TO BOARD
OK, Boomers! (2/19a)
YOUR TOP 20 BRING CHANGES TO THE TOP
Bieber brings it. (2/19a)
THE WEEKND OPENS AFTER HOURS
Is 3/20 the new 4/20? (2/19a)
THE ROTATION
Take a wild guess. (2/19a)
CAPALDI WINS A PAIR AT THE BRIT AWARDS
...while Billie and Tyler add to their trophy shelves. (2/19a)
DON'T TALK TO THE PRESS
Also, don't leak the memo about not talking to the press to the press. Please.
GRAMMY VOTING
How the sausage is made.
BIEBER'S BIG BOW
Changes changes the conversation.
PRIMARIES
So hard to decide...
Pub Crawling
GREG WELLS, SHOWMAN
6/18/18

Producer/songwriter/musician Greg Wells had never worked on a soundtrack before when director Michael Gracey asked him to pull together the music for The Greatest Showman.

The songs, by Warner/Chappell's awards-magnet duo of Pasek and Paul (La-La Land, Dear Evan Hansen), required integration with the imagery; uniting the unorthodox story with the music was, he says, a “herculean” task, but the results speak for themselves.

Indeed, Gracey told him that the movie looked different when paired with the powerful finished tracks. Soundtracks remain one of the few power alleys for retail and have demonstrated real staying power in the marketplace, in part because the power of the storytelling fuels each subsequent listen. It was an intense and at times overwhelming enterprise, says the highly respected and versatile Wells, a BMG-affiliated writer. But now he’s preparing to write, produce and play on a fully original new ST, about which more later.