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GRUBMAN AND BRANCA ON THE MENU
Lox and bagels is our guess. (10/4a)
GRAMMY CHEW:
RAP EDITION
Michael and Kyle find a feast of hip-hop to chew on. (10/4a)
REPUBLIC UPS GRYN TO EVP ROLE
She brings a Gryn to Roppo's face, so to speak. (10/4a)
HITS LIST: COUNTDOWN
TO ECSTASY
We enter the month that was once known as Rocktober. (10/4a)
HIS OWN ARCHITECT:
THE STEVE LACY BUZZ
It was a surprisingly easy "Habit" to break. (10/4a)
GRAMMY SEASON
New categories! New rules! New WTF!
THE BIG DEAL
It's the one you didn't see coming.
RAID AT MAR-A-LAGO
"Who took my passports?"
HITS' 36TH ANNIVERSARY SPECIAL
Allow us to apologize in advance.
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POST TOASTED
LUCIFER ON THE SOFA

By Karen Glauber

Greetings from Day 437 of COVIDchella—it feels like forever. I tested positive on 4/13, four days after going to an indoor show, and now, after two weeks spent on my bed in a fetal position, I’m finally feeling much better. The one-year anniversary of my COVID/vaccination-related stroke is this Saturday, so I have a lot to celebrate, all things considered.

Last weekend, in lieu of being there, I watched many of the Coachella performances on my laptop. I wish I could’ve been there, but it was thrilling to watch the performances by beabdoobee, Rina Sawayama, Idles, Phoebe Bridgers, Japanese Breakfast, Arlo Parks, Bishop Briggs and, of course, Arcade Fire, whose brilliant set was yet ANOTHER reminder that they’re the MOST IMPORTANT and BEST band in Alternative music.

I have to make special mention of KROQ’s social-media coverage of Coachella, because Miles Anzaldo, Nicole Alvarez, Megan Holiday and the rest of the team captured the joy of being there with their photos, stories and interviews, all of which felt like KROQ in its prime. Phoebe Bridgers showed up to do an interview in the KROQ trailer close to midnight, following her career-defining mainstage set. That’s huge. I felt like I was being shown the highlights of Coachella by three friends who had absolute access. Their enthusiasm was infectious (and not in a COVID kind of way), and Miles and Co. should be hailed for their coverage.

A lot happened in the radio world while I was praying for the bed spins to stop: WKQX’s Jon Manley exited the station, which was a shock to many. Also, it feels like we’re moments away from finding out the who’s been selected as the new PD at KROQ. I hate to admit it, but I legit have no idea who it’s going to be. I remember vividly when Kevin Weatherly was hired for the job—we were AGHAST that someone who had never programmed an Alternative station was now PD at KROQ. Adorable, right?

The biggest stunner of the week was reading that Jim McGuinn, your friend and mine, was no longer the PD at KCMP Minneapolis, on the heels of the station being #1 18-34 in Minneapolis and having a 5.0 share in their most recent month. I refuse to speculate on what happened, and when I know, I won’t tell you. I’ve loved Jim since his days in high-school radio in the mid-’80s. He is a person of integrity, and he’s a huge reason why The Current is as impactful globally today as it has been for the past decade-plus.

If you can break away from Love Is Blind 2, Bridgerton 2 or The Ultimatum on Netflix (welcome to my watchlist), check out the latest Florence + the Machine video for “Free,” once again brilliantly directed by Autumn de Wilde, which features Bill Nighy as the embodiment of Florence’s anxiety. Every song I’ve heard from this record is spectacular. The embodiment of my anxiety is played by Ted Volk.

beabadoobee’s “Talk,” her best song yet, is currently streaming like an Alternative smash, while she is poised for another crowd-overflow performance at Coachella this weekend.

Wilderado’s “Head Right” is now entrenched in the Top 10, while The Lumineers’ “Where We Are” is days away from sharing that designation. Not to jinx it, but this will be The Lumineers ninth consecutive Top 10 single, on the heels of the 10th anniversary of the band’s first record. I love celebrating milestones, even the ones that remind me of, well, where we were (like my stroke, for example).

Marisa DiFrisco, whom I want to be just like when I grow up, is slaying with The Maine’s “Loved You a Little” and is now charting with Surfaces’ “I Can’t Help but Feel,” which is my kid’s favorite song.

We’re so used to seeing Rob Goldklang dominating the chart that we won’t be the least bit surprised when Red Hot Chili Peppers is replaced by The Black Keys in the top spot. Rob and Ravikoff currently have three songs in the Top 10, but pay close attention to The Head and the Heart’s “Virginia (Wind in the Night)” because that’s also going to be a Top 10 song for them.


 
 
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