A RECAP OF RADIO ADD RECAPS

At Top 40, Marella's Team ICLG has the #1 Most Added track today as Eminem’s "Houdini" (Shady/Aftermath/Interscope) pulls in 59 impact adds. Warner's Chester & Reich crew put 42 adds on Teddy Swims' "The Door" on impact week, while Republic's Spangler & Lucas squad score 36 more adds on Ariana Grande's "the boy is mine” and RCA Rothschild's bunch secures 25 impact adds on Isabel LaRosa's "favorite" (Slumbo Labs). Scrobe's Concord team is in the Top 10 Most Added for a fifth consecutive week, posting another 18 adds on Tommy Richman's "MILLION DOLLAR BABY" (PULSE/ISO Supremacy). ICLG's second entry in the Top 10 is Kendrick Lamar's "Not Like Us" (pgLang) with another 16 early adds, and RCA's second entry is Kane Brown & Marshmello's "Miles on It" (RCA Nashville) with 12 adds. Closing out the Top 10 Most Added this week is Virgin'sHalpern and staff with 12 adds on Mark Ambor's "Belong Together" (HundredDays).

And at Rhythm, Dixie and Team ICLG grab 44 adds out of the gate with Eminem’s "Houdini" (Shady/Aftermath/Interscope), as does James White and Columbia with the Central Cee’s newly impacted "BAND4BAND” f/Lil Baby. Epic’s Sack and Dontay pull in 39 stations on 21 Savage x Summer Walker’s "prove it." Dixie also sees 21 believers come in on GloRilla & Megan Thee Stallion "Wanna Be" (CMG/Interscope). Nick P and Arista continue to close out the panel on Skylar Blatt’s "Wake Up" f/Chris Brown, grabbing six more adds this week.

PRE-GRAMMY GALA GOES GAGA FOR GERSON
Jody will be the center of attention at Clive's shindig. (12/18a)
ON THE COVER:
BILLIE EILISH
A star upon the highest bough (12/19a)
NOISEMAKERS:
A HOLIDAY TREAT
Something for their stockings (12/18a)
SUPREME COURT SETS 1/10 HEARING ON TIKTOK BAN
How will SCOTUS rule? (12/19a)
THE HIP-HOP CONUNDRUM
Grammy being Grammy (12/19a)
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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