A RECAP OF RADIO ADD RECAPS

At Top 40, RCA's Team Rothschild scores 67 impact adds on Kane Brown & Marshmello's "Miles on It" (RCA Nashville) as the #1 Most Added track. Marella's ICLG crew puts 30 adds on Gracie Abrams' "Risk" (Interscope). REPUBLIC CORPSSpangler & Lucas squad have three tracks in the Top 10, securing another 22 adds on Sabrina Carpenter's "Espresso" (Island), 19 more on Chappell Roan’s "Good Luck, Babe!" (Island) and 18 early adds on Ariana Grande's "the boy is mine" (Republic). Warner’s Chester & Reich team pull in another 17 adds on Benson Boone's "Slow It down" (Night Street) and Columbia's Gray and staff post another 16 adds on Beyoncé's "II MOST WANTED" f/Miley Cyrus (Parkwood).

At Rhythm, meanwhile, ICLG’s Team Dixie puts up an impressive 49 adds on Kendrick Lamar’s "Not Like Us" (pgLang), outpacing all other impacts this week. Angelo Scrobe and the Pulse/Concord crew have a very hot record with Tommy Richman’s "MILLION DOLLAR BABY" (ISO Supremacy), which grabs another 39 stations this week. ICLG also has 24 commitments on another Kendrick track, "euphoria.” Nick P and Arista grab 15 more adds on Skylar Blatt’s “Wake Up" f/Chris Brown, and RCA’s Team Lori G closes out five more believers on Doja Cat’s "OKLOSER” (Kemosabe).

And at Modern Rock, congrats to Republic’s Amanda Dobbins for earning Most Added honors this week with Pearl Jam’s “Wreckage” (Monkeywrench). Other winners include Dead Poets Society’s “My Condition” (Spinefarm), Hozier’s “Too Sweet” (Columbia), Joywave’s “Scared” (Hollywood) and Love Fame Tragedy’s “Don’t You Want to Sleep With….” (Bright Antenna).

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A highly unlikely prospective hero (12/28a)
TOP 50: A LITTLE SZA, A WHOLE LOTTA CHRISTMAS
We won't have to hear "The Little Drummer Boy" again for 10 months. (12/27a)
PHOTO GALLERY: PICS OF THE WEEK OF THE YEAR (PART TWO)
More weasel photo ops (12/30a)
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The final album chart of the year (12/27a)
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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