YOUR WEEKEND
BOX OFFICE

Universal/Blumhouse’s Five Nights at Freddy’s scared up an estimated $80m domestically and $130m globally.

Based on a video game, Five Nights at Freddy’s scored the biggest opening weekend of the year for a horror film, is the second-largest debut ever for a video-game adaptation and is the highest-grossing opening weekend for a Halloween weekend release.

The weekend also saw Taylor Swift: The Eras Tour cross the $200m mark globally; its box office take is now $203m.

  1. Five Nights at Freddy’s (Universal): $80m total; 3,675 screens/$21,224 average per screen (Debut)
  2. Taylor Swift: The Eras Tour (AMC): $14.7m total; 3,773 screens/$3,896 average per screen (Week 3)
  3. Killers of the Flower Moon (Paramount): $9m total; 3,628 screens/$2,480 average per screen (Week 2)
  4. After Death (Angel Studios): $5.06m total; 2,645 screens/$1,913 average per screen (Debut)
  5. The Exorcist: Believer (Universal): $3.1m total; 2,717 screens/$1,140 average per screen (Week 4)

AND THE 2025 GRAMMY NOMINEES ARE...
And away we go. (11/8a)
BEY LEADS ARRAY OF FEMALE STARS IN GRAMMY NOMINATIONS
Adding up the numbers (11/8a)
SONG REVENUE: SEVERAL TYPES OF MONSTERS
Metaphorically speaking (11/7a)
OF PONIES, PRINCESSES AND UNICORNS: CHAPPELL'S SNL TRIUMPH AND BEYOND
Changing the pop narrative (11/5a)
NEW & DEVELOPING ARTISTS: Q4
Meet the class. (11/7a)
THE GRAMMY SHORT LIST
Who's already a lock?
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
ALL THE WAY LIVE
The players, the tours, the enormous beers.
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