YOUR WEEKEND
BOX OFFICE

Universal/Blumhouse’s Five Nights at Freddy’s scared up an estimated $80m domestically and $130m globally.

Based on a video game, Five Nights at Freddy’s scored the biggest opening weekend of the year for a horror film, is the second-largest debut ever for a video-game adaptation and is the highest-grossing opening weekend for a Halloween weekend release.

The weekend also saw Taylor Swift: The Eras Tour cross the $200m mark globally; its box office take is now $203m.

  1. Five Nights at Freddy’s (Universal): $80m total; 3,675 screens/$21,224 average per screen (Debut)
  2. Taylor Swift: The Eras Tour (AMC): $14.7m total; 3,773 screens/$3,896 average per screen (Week 3)
  3. Killers of the Flower Moon (Paramount): $9m total; 3,628 screens/$2,480 average per screen (Week 2)
  4. After Death (Angel Studios): $5.06m total; 2,645 screens/$1,913 average per screen (Debut)
  5. The Exorcist: Believer (Universal): $3.1m total; 2,717 screens/$1,140 average per screen (Week 4)

HITS LIST:
HOME RUN DERBY
Going yard (7/11a)
NEAR TRUTHS: A TOUR OF THE LANDSCAPE
I.B. will be your guide. (7/15a)
GRAMMY PRE-CHEW:
THREE QUESTIONS ABOUT THE BIG 4
On your Marks, get set, go. (7/8a)
ON THE COVER:
CHAPPELL ROAN
Half of Island's one-two punch (7/15a)
AUSTIN NEAL STICKS THE LANDING
These two are tight. (7/15a)
THE GRAMMY SHORT LIST
Who's already a lock?
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
INDIE DISTRIBUTION'S RISE TO GLORY
The discovery engine is revving higher.
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