A RECAP OF RADIO ADD RECAPS

At Top 40, Warner's Chester & Reich are back at the top of the add board with Dua Lipa's newly released "Dance the Night" (Atlantic), which pulled in 142 adds. Interscope's Team Romano & Lopes put 28 early adds on OneRepublic's "Runaway" (Mosley), while Republic's Spangler & Romeo crew stack another 27 adds on Post Malone's "Mourning" (Mercury) and bring in 17 on Jonas Brothers' "Summer Baby.” Warner also nabs an additional 22 adds on FIFTY FIFTY’s "Cupid" as Columbia's Gray and staff put up 20 more on Icandy’s "Keep Dat" (RECORDS). In2une's Connone & Lucek get another 19 stations on Flo Rida’s "What a Night" (APG/IMG). Interscope's second entry is Maroon 5’s "Middle Ground" (222) with 17 adds. Closing out the Top 10 Most Added this week is RCA's Rothschild bunch with another 15 adds on SZA’s "Snooze" (TDE).

At Rhythm, meanwhile, it’s a very light week for new releases, but Interscope and Nino post 24 adds on DaBaby’s “SHAKE SUMN,” Strazza and Columbia pick up seven more commitments on Icandy’s “Keep Dat” and RCA’s Lori G and Inca grab another six stations on Miguel’s “Give It to Me.” Davey and Republic clean up five more believers on Post Malone’s “Mourning” (Mercury) and four new stations on Coi Leray’s “Bops” (Uptown).

And at Modern Rock, Interscope has this week’s Most Added record with Lana Del Rey’s “Say Yes to Heaven.” It was also a good week for Warner’s Rob Goldklang with Blur’s “The Narcissist” and Virgin’s Marisa DiFrisco with David Kushner’s “Daylight.” Other winners include Big Noise’s The Used with “Giving Up” and Photo Finish/Virgin’s Misterwives with “Nosebleeds.” Arista’s Nick Petropoulos scored with Bishop Briggs’ new single, “Baggage.”

HITS LIST GETS LIT UP
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NEAR TRUTHS: THE ELEPHANT IN THE ROOM
Nervous time in the music biz and beyond. (11/16a)
GRAMMY CHEW: RUMINATING ON THE BIG 4 NOMS
80% is a lot better than usual. (11/15a)
LINKIN PARK CHATS NEW LP WITH AMAZON MUSIC
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AND THE 2025 GRAMMY NOMINEES ARE...
And away we go. (11/8a)
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We have no fucking idea.
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AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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