With two months left in 2021, a half-dozen labels—three from UMG, two from WMG and one from Sony Music—are locks to finish the year above 6% in overall marketshare. Each of them has a particular reason to observe a winning season with the requisite champagne-swilling locker-room celebration.
As in sports, it’s hard to repeat in music, which makes the back-to-back championships pulled off by John Janick’s Interscope Geffen A&M historic and dynastic. IGA remains the only label above 10% in total activity, while it reaches a lofty 11.4% in current. Rookie of the year Olivia Rodrigo has no less than four Top 50 song entries YTD, including #2 and 3, alongside the #2 album. Moneybagg Yo (#14), the late Juice WRLD (#16, 25 and 47), Billie Eilish (#15 and 38), Roc Nation’s J. Cole (#20) Machine Gun Kelly (#31) and Hall of Famer Eminem (#50) give IGA 10 of the Top 50 albums YTD.
IGA maintains a one-percentage-point lead over Atlantic, which stays at #2 in total activity despite having just three Top 50 albums and seven Top 50 songs. Catalog is propping up the company’s overall performance, with a 9.3 share in that metric, four tenths of a point south of IGA.
Monte Lipman’s Republic (#3 overall with 8.3%, #2 current with 10.6%) has three of the Top 10 albums, enjoying nine in the Top 25 and 11 in the Top 50. Morgan Wallen holds serve at #1, followed by Drake (#3), The Weeknd (#9 and 22), Taylor Swift (#12, 23 and 30), Ariana Grande (#17), Post Malone (#18) and Island’s Elton John (#45). The label also boasts 10 Top 50 songs.
And the hits just keep coming for Ron Perry’s surging Columbia (6.9% overall), which has been en fuego throughout the second half. Big Red Hot has racked up nine Top 50 singles, including Lil Nas X at #6 and 27, breakout newcomer The Kid LAROI at #7 and 26, BTS at #10, Polo G at #13, Lil Tjay at #21 and 24kGoldn at #24. LNX, The Kid and Tjay also have Top 50 albums, as does Harry Styles, while Polo G has a pair. With the mighty Adele coming on 11/19, led by a massive single, 7% or more seems attainable by year’s end, adding some drama to the late fourth quarter.
Lil Baby, via Ethiopia Habtemariam's QC/Motown, is the flagship act of Jeff Vaughn and Michelle Jubelirer’s CMG (6.8%) as his best-selling album of 2020 holds steady at #11 nearly 20 months after release. His joint LP with Alamo’s Lil Durk is #29. CMG’s deep catalog is a major contributor; at 7.2% in the standings, the company is tied with Columbia in the #4 slot.
Claiming the #7 album and #1 single YTD, Dua Lipa is the big story for Aaron Bay-Schuck and Tom Corson’s Warner (6.3%). The Bunny also landed singles from Saweetie, CJ and Yung Bleu in the Top 50. Warner’s number includes the share of Espo’s Warner Music Nashville. Fun fact: Fleetwood Mac’s #40 album came out four years before Aaron was born; Tom was a high school senior at the time.
Looking at the rest of the field, only The Orchard, Sony’s Brad Navin-led indie-distribution arm, tops 5%, although Peter Edge’s RCA is flirting with that benchmark, thanks primarily to a breakout year from Doja Cat. There’s a big gap between the #7 and 8 companies and Sylvia Rhone’s #9 Epic—with Top 40 albums from GIVĒON, Travis Scott and DJ Khaled—at 2.4%, a tenth of a point above Def Jam, the home of superstars Justin Bieber and Ye, soon to be headed by Tunji Balogun. In Music City, Mike Dungan and Cindy Mabe’s UMG Nashville (2.1%), paced by Chris Stapleton, and Randy Goodman’s Sony Music Nashville (2.0%), with the #10 and 35 albums from Luke Combs, remain locked in a back-and-forth battle.
For every hungry competitor aiming to slice off a bigger piece of the marketshare pie, the rallying cry is “Wait till next year.”
NEAR TRUTHS: REALIGNMENT AND RECOGNITION
Underscoring the year's biggest stories (11/19a)
NEAR TRUTHS: THE ELEPHANT IN THE ROOM
Nervous time in the music biz and beyond. (11/16a)
| ||
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
|