A PREVIEW OF RADIO CHART PREVIEWS

At Top 40, Columbia's The Kid LAROI & Justin Bieber have now held the #1 spot with "Stay" for nine consecutive weeks. Columbia also sees Adele’s “Easy on Me” take a huge jump in the Top 10 just two weeks after release, and we’re doing a little checking to see if she's set yet another record as a result—stay tuned. One of the greatest gainers this week was Interscope's Elton John & Dua Lipa with "Cold Heart (PNAU Remix)," which joins the Top 15. Capitol impacted NEIKED x Mae Muller x Polo G’s "Better Days" and not only debuted but moved Top 30. Also looking to premiere this week is Republic's Swedish House Mafia with "Moth to a Flame" f/The Weeknd and Columbia's Chlöe with "Have Mercy" (Parkwood).

Meanwhile, at Rhythm, we have a new #1 as RCA’s Doja Cat climbs to the top of the chart with “Need to Know” (Kemosabe). Columbia witnesses The Kid LAROI & Justin Bieber’s “Stay” enter the Top 5, while Lil Nas X’s “THATS WHAT I WANT” moves into the Top 30. Look for chart bows this week from Epic’s BIA with “BESITO” f/G Herbo, Interscope’s Summer Walker with “Ex for a Reason” f/City Girls and Warner’s Anitta with “Faking Love” f/Saweetie.

And at Modern Rock, Arista’s Måneskin continues its run at #1 with “Beggin’” (Sony Music Latin). Dualtone’s The Lumineers approach the Top 5 this week with “BRIGHTSIDE.” Third Man/The Orchard’s Jack White quickly hits the Top 20 with “Taking Me Back,” up more than 300 spins, and AWAL’s Jungle debuts on the chart this week with “Truth.”

HITS LIST FOR THE HOLIDAYS
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NEAR TRUTHS: A TOUR OF '24 (PART TWO)
I.B.'s independent-spirit awards (12/12a)
DANIEL NIGRO:
CRACKING THE CODE
The co-writer-producer of the moment, in his own words (12/12a)
REGAL AT RETAIL:
TAYLOR SWIFT
Redefining "royalty" (12/10a)
NEAR TRUTHS: A TOUR OF '24 (PART ONE)
The beginning of the end (12/10a)
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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