GRAMMY CHEW: AOTY LATE BREAKERS

These two albums, one released on 9/24 and the other due on 9/30 in a deadline-obliging cassette-only drop (with other formats to follow on 10/1), are likely the last two major sets to come out within the Grammy eligibility period as possible AOTY contenders.

Mickey Guyton, Remember Her Name (Capitol Nashville): Guyton has been a disruptor in the country world, crafting beautiful work that directly confronts issues that much of the “heartland” would prefer not to address. For that reason alone she became the first Black female artist to earn a Country Grammy nom. But don’t put Guyton in a box as a protest singer—she’s as strong a writer and vocalist as anyone in Nashville, as this solid set amply demonstrates.

Tony Bennett & Lady Gaga, Love for Sale (Streamline/Columbia/Interscope): Once upon a time, before she fully conquered the world, Gaga seemed a wild choice for a pairing with legendary crooner Bennett, but the combination (on 2014’s Cheek to Cheek) proved smoother than a perfect martini. Their return engagement—a gambol through the Cole Porter songbook—is made infinitely more poignant by the fact that it will almost certainly be the ailing Bennett’s final recording. Expect Grammy to reward this set accordingly, and don’t rule out a valedictory AOTY nod.

NOISEMAKERS:
MOVIN' & SHAKIN'
A glimpse of the future of the music biz (11/7a)
TOP 20: TYLER #1 FOR SECOND WEEK
Tippecanoe and Tyler 2 (11/7a)
Q IS EVERYTHING AND EVERYTHING IS Q: HOW QUINCY JONES BECAME THE GOAT
Remembering an American legend. (11/6a)
OF PONIES, PRINCESSES AND UNICORNS: CHAPPELL'S SNL TRIUMPH AND BEYOND
Changing the pop narrative (11/5a)
NEAR TRUTHS:
JELLY’S ROLE
The rise of an unlikely star (11/6a)
THE GRAMMY SHORT LIST
Who's already a lock?
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
ALL THE WAY LIVE
The players, the tours, the enormous beers.
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