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YOUR METALLIC
TOP 20

It's no race for #1 this week, as Taylor Swift is ahead at midweek by a substantial margin, which will give folklore (Republic) its sixth consecutive week on top. Debuts from Metallica and Katy Perry will compete for the week's top new entry.

  1. Taylor Swift (Republic) 86-91k total activity, 40-45k albums
  2. Pop Smoke (Victor Victor/Republic) 74-79k, 1-2k
  3. Juice WRLD (Grade A/Interscope) 63-68k, 1-2k
  4. Metallica (Blackened) 50-60k, 48-53k
  5. Katy Perry (Capitol) 50-60k, 40-45k
  6. Hamilton (Uptown/Atlantic) 45-50k, 3-5k
  7. Lil Baby (Quality Control/Motown/Capitol) 37-42k, <1k
  8. Rod Wave (Alamo/Geffen/Interscope) 35-40k, <1k
  9. Internet Money (Internet Money/TenThousand) 31-36k, ~1k
  10. DaBaby (SCMG/Interscope) 30-35k, <1k
  11. Post Malone (Republic) 28-32k, 1-2k
  12. Harry Styles (Columbia) 25-28k, 5-7k
  13. Lil Wayne (Cash Money/Republic) 24-27k, 3-4k
  14. Polo G (Columbia) 24-27k, <1k
  15. Gunna (Young Stoner Life) 21-24k, <1k
  16. The Weeknd (XO/Republic) 21-24k, 1-2k
  17. NEEDTOBREATHE (Elektra) 19-22k, 14-17k
  18. Luke Combs (River House/Columbia Nashville) 19-22k, 1-2k
  19. Morgan Wallen (Big Loud) 19-22k, ~1k
  20. Juice WRLD - Goodbye (Grade A/Interscope) 19-22k, <1k

 Debuts

In Labor Day news, we're looking forward to a refreshing holiday weekend that will be exactly like every work day.

REVENUE CHART:
RAINING CATS & DOGS
Starring Doja Cat, Nipper and Ms. Larry David (5/13a)
RECORDING ACADEMY LOCKS IN HARVEY MASON JR. AS CEO
Meet the new boss, same as the old boss. (5/14a)
TIME TRAVELING
WITH CLIVE (UPDATE)
Beam us up, Uncle Clive. (5/13a)
ROCK HALL INDUCTEES:
NEW & OVERDUE
Todd gets in. Finally. (5/13a)
KG's HOT ALT SUMMER
She also reviews the best outdoor Bluetooth speakers. (5/13a)
RHYTHM, BLUES AND THE FUTURE
The musical tapestry we know as R&B.
WHO'S NEXT?
Predicting the next big catalog deal.
JUST THE VAX, MA'AM
Once we all get vaccinated, how long before we can party?
WORLDWIDE GROOVE
How is globalization bringing far-flung territories into the musical mainstream?
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