Mayer reviewed and analyzed

CROSSROADS: Only in the case of John Mayer is a concert reviewer required to throw in an assessment of character as well as performance. In his review of the first of two shows late last week at Madison Square Garden, N.Y. Times reviewer Jon Caramanica pointed out that “Mayer is an astonishing blues guitarist, both in his technical gifts and in his ability to make those gifts appear accessible,” while also pondering the artist’s silence on Twitter and elsewhere since soon after the appearance of his gaffe-filled Playboy(3/1a) interview. “He may be an old-fashioned sort of musician,” Caramanica notes, “but he’s a hypermodern sort of celebrity, and that can lead to trouble, real or imagined.” Nonetheless, “Mayer’s quick remorse, followed by quiet, has mostly quelled the backlash against him.” So how was the show, dude? (3/1a)

HITS LIST: A NOVEMBER TO REMEMBER
Strap in for the roller-coaster ride. (11/5a)
GAGA, OPRAH MAKE FINAL PUSH FOR KAMALA IN PHILLY
The final round on the Rocky steps (11/4a)
YOU COULD CALL THIS ENDORSEMENT A MIRACLE
We second that emotion. (11/2a)
OF PONIES, PRINCESSES AND UNICORNS: CHAPPELL'S SNL TRIUMPH AND BEYOND
Changing the pop narrative (11/5a)
PEOPLE HAVE THE POWER
Words to live by (11/5a)
THE GRAMMY SHORT LIST
Who's already a lock?
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
ALL THE WAY LIVE
The players, the tours, the enormous beers.
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