The legendary 85-year-old singer’s new RPM/Columbia album, Duets II, debuts at #1 this week with a total of 183k, thanks to a spate of TV and live performances, including a concert at
Capitol Nashville/EMI’s Lady Antebellum, last week’s #1, drops to #2 with 120k, while XL/Columbia’s Adele, now at #3, adds another 118k to her total, now over 3.6 million.
Hollywood teenpop diva Demi Lovato returns with Unbroken, which bows at #4, one of six newcomers to the Top 10, along with Atlantic Christian rockers Needtobreathe’s Reckoning (#6), RCA’s Gavin DeGraw (#7), Interscope Troy Carter-managed R&B boy band Mindless Behavior’s #1 Girl (#8) and Columbia’s Pearl Jam Twenty soundtrack (#10). The remaining holdovers include a pair of hip-hop albums in Cash Money/Universal Republic’s Lil Wayne (#5) and Roc-a-Fella/Roc Nation’s Jay Z & Kanye West collab, Watch the Throne (#9).
Other Top 50 newcomers include Atlantic teen star Cody Simpson (#12), Vagrant’s Thrice (#17), Deutsche Grammophon’s Tori Amos (#20), Universal Republic’s SuperHeavy (#24), the group featuring Mick Jagger, Joss Stone, Dave Stewart, A.R. Rahman and Damian Marley, Rounder’s The Jayhawks (#25) and Reprise’s Never Shout Never (#38). Re-entries include Interscope’s LMFAO (#34), Nickelodeon/
Glassnote’s resilient Mumford & Sons is the week’s biggest double-digit gainer, moving #30-18, +46%, with a total now over 1.8 million, followed by A&M/Octone’s Maroon 5 (#36-27, +15%), fueled by the “Moves Like Jagger” single, Interscope’s Lady Gaga (#22-19, +12%) and Capitol/EMI’s Katy Perry (#38-32, +10%).
Among this week’s releases,
In addition, there is a pair of historic reissues in Capitol/EMI’s Pink Floyd catalog (14 albums’ worth) and Geffen’s deluxe Nirvana Nevermind set.
ACADEMY TELESCOPES GRAMMY WEEK EVENTS
The show must go on, with modifications. (1/15a)
| ||
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
|