Disney Pearl’s Brian Wilson Reimagines Gershwin, which comes out Aug. 17 and the following week on a limited-edition, numbered vinyl release, features the legendary Beach Boys auteur paying tribute to some of the greatest standards in American music, including “They Can’t Take That Away From Me,” “Someone to Watch Over Me” and “I Got Rhythm.”
“The more time you spend with the album, the more you realize it’s a beautiful recording that represents these two musical worlds coming together,” says VP Strategic Marketing & Promotion Rob Souriall, who is overseeing the roll-out of the album with Disney Records SVP/GM Jim Weatherson.
The idea came from Wilson himself, who was initially approached by Disney to do an album of songs associated with the company, but suggested the Gershwin tribute instead.
“Nine months later, he brought us into the studio and played it for us,” says Weatherson. “We were speechless. We’re really proud to be a part of this project and believe the audience to be massive. We have specific plans to reach the core Gershwin fan as well as the Brian Wilson fan base and the many new, younger fans we believe this project will cultivate.”
That includes working closely with Warner Chappell’s Brad Rosenberger, who administers the Gershwin catalog, in looking for film and TV opportunities. They hope to tie in to Steven Spielberg’s Gershwin biopic scheduled for release next year. There is also talk of a PBS Soundstage, and live performances of the album by
“We think this puts Brian into a more mainstream marketplace than he’s ever been, that could reach beyond his normal fan base,” says Souriall, who would love to emulate such left-field adult hit records as former Grammy winners like Ray Charles’ Genius Loves Company and Natalie Cole’s Unforgettable.
If press reaction is any indication, the album is already off to a promising start. The day after a record release party at Pacific Design Center, at which Wilson performed “Rhapsody in Blue” with his band, L.A. Times’ Randy Lewis raved: “[M]ore than simply presenting a collection of Gershwin classics in Wilson’s voice, the album processes them through his one-of-a-kind musical imagination. It makes his excursion through material that’s been so widely performed for the better part of a century a uniquely illuminating outing.”
A four-star Spin review claimed: “
Detroit Free Press added: “Enticing concept, brilliant execution… a gorgeous take.”
The adult-oriented Disney Pearl will soon release a record of contemporary jazz artists covering the Disney repertoire, an example of the generally youth-dominated Disney’s “cradle-to-grave” marketing philosophy. They’ve also signed a young tenor named Nathan Pacheco, a Josh Groban/Andrea Bocelli-type crooner.
THE COUNT: COLDPLAY IS HOT, COUNTRY'S COOKIN' IN THE U.K.
The latest tidbits from the bustling live sector (3/28a)
| ||
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
|