It’s more apparent than ever that several factors currently plaguing the talent-acquisition side of the biz have drastically affected the hit-making process as well. Will there be enough success with new acts to sustain the industry through the current depression? Are labels becoming too reliant on new releases from established acts and the repackaging of past hits to maintain sales?
Still, it’s worth noting the debuts or breakthrough efforts that did deliver this year: Norah Jones, John Mayer, Michelle Branch, Puddle of Mudd, Josh Groban, Nappy Roots, System of a Down, Craig David, Jack Johnson, Jimmy Eat World, Default, The Vines, Hoobastank, Vanessa Carlton, Ashanti, Clipse and, of course, the impressive Lavigne. Bucking the trends, these acts posted the kinds of numbers that make the corporate types smile, which is quite a feat these days. Some were quiet signings with no pre-release buzz, while others were high-profile debuts following closely watched signing derbies.
One thing is clear about this year’s crop of breakthrough acts: At least part of the A&R community is earning its keep. So the next time you’re not getting enough attention from your boss regarding the signing of your latest Yugoslavian yak-herder/techno-dance discovery, remind him or her that you’re looking out for the future of the biz, man.
FIREAID SETS SUPERSTAR LINEUP, EXPANDS TO FORUM
Everybody who's anybody will be performing. (1/16a)
PERSHING SQUARE PUSHES TO SET UP U.S. LISTING FOR UMG
Ackman won't take no for an answer. (1/16a)
ACADEMY TELESCOPES GRAMMY WEEK EVENTS
The show must go on, with modifications. (1/15a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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